As a dancer, I find R&L s difficult when the line is crowded, and as a man, often
can't squeeze through the line to reach my partner or neighbor for a timely courtesy
turn. However, if there is sufficient space, I think it is as easy a move as any, so if
there is room to stretch out the lines in a dance with R&L throughs, I think that is
the answer. Other than that, because of the inherent courtesy turn (or variation), some
people might use twirls or even dips to make tham late for the next move, not such a
problem with a promenade. When the lines are crowded, I'll often promenade with hands
in front like I was doing tango instead of taking a promenade position, making it often
much easier to squeeze through a crowded set.
----- Original Message -----
From: "Richard Hart" <rich(a)harts.mv.com>
To: "Caller's discussion list" <callers(a)sharedweight.net>
Sent: Sunday, August 21, 2011 10:50:04 AM
Subject: Re: [Callers] 50% rule
There's one dance variation that I've recently noticed.
Recently, I've noticed that callers and dancers have slightly changed some existing
dances. In both cases that I remember (Trip to Lambertville & Tica Tica Timing) a
R&L over has been changed to a promenade across. Rights and lefts do seem to be more
difficult, especially at bigger dances, and with a larger proportion of beginners. The
promenade does appear to make the dance smoother in these cases.
Is it really true that right & lefts are becoming less popular in large MUCDs? Are
other dances being modified in this way now?
Rich Hart.
Tom Hinds remarked on 8/21/2011 9:28 AM:
Jim
Although I can't answer your first question about keeping track of all the dances, I
can say something about what constitutes a new dance. I remember Ted Sannella saying that
a dance is new if it has 50% new or unique choreography. By his definition if 50% or more
of the dance is different than any other dance then it's a new dance. If a dance has
less than 50% it's a variation.
He didn't go into any more specifics and I wasn't wise enough to ask any
questions. But if you look at some of the old dances like Petronella and Hull's
victory, they have identical B parts and unique A parts. The same applies to Chorus Jig
and Rory O' More.
Squares can also follow this 50% rule. For example there are a number of squares like
Queen's Quadrille that have unique A parts while the B part is circle left half, swing
corner, promenade.
T
_______________________________________________
Callers mailing list
Callers(a)sharedweight.net
http://www.sharedweight.net/mailman/listinfo/callers
_______________________________________________
Callers mailing list
Callers(a)sharedweight.net
http://www.sharedweight.net/mailman/listinfo/callers