Harris,
Thanks for raising this topic.
I'm curious the differences in momentum and such that will allow this to
have different moves following it, compared to a rollaway with 1/2 sashay.
I like your first example, because following it with a balance and
Petronella spin may be more cohesive percussively that another way for
people to just trade places.
Have you other thoughts in mind about this?
In dance,
Julian Blechner
He/him
Western Mass
On Sat, Nov 16, 2024, 2:45 PM Harris Lapiroff via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
I think I slightly miswrote the choreo in my
description of a set and
link. I believe it's actually the *Larks* who go through the middle and
*Robins* go around the outside.
On Sat, Nov 16, 2024, at 2:32 PM, Harris Lapiroff via Contra Callers wrote:
I wrote this up as a blog post
<https://chromamine.com/2024/11/set-and-link-contras/>, but I also
thought this list would appreciate it and have interesting thoughts to
share.
It occurred to me recently that I don’t think there are any contra dances
that feature a set and link figure. This is a figure from Scottish Country
Dancing which follows this sequence (assuming becket formation for this
write up):
1. Couples face the other couple across the set, taking convenient hands
with their partner along the side
2. All balance right and left (4 beats)
3. All turn over their right shoulder as they trade places along the side
of the set with the robins going through the middle and larks going round
the outside (4 beats)
It could be thought of as a petronella twirl for two or, perhaps, as a mad
robin halfway with twirling. If none of those descriptions work for you,
there’s also a video of the figure in action
<https://youtu.be/hI-ebAspZzY?si=gkIDl8WmCzFc5HO4&t=16>. (Note the video
is to a leisurely Scottish strathspey, but it can be done to a jig or reel
at contra tempo just fine.)
I decided to write a couple:
*Set And Link Contra*
Harris Lapiroff
Becket CCW
A1
Set and link (trading with partner)
Balance the ring
Petronella twirl
A2
Neighbor balance and swing
B1
Set and link (trading with neighbor)
Balance the ring
Petronella twirl
B2
Partner balance and swing
Note A1: Each time through after the first, the set and link should start
with a big balance to the right to progress to new neighbors
And a slightly more complex, but still accessible, one:
*Broken Link*
Harris Lapiroff
Duple Improper
A1
Neighbor balance and swing
A2
Set and link (trading with neighbor)
Robins alle L 1½
B1
Partner right shoulder round
Partner swing
B2
Circle left 3
Pass through up and down
Next neighbor DSD
Note: Can also be done in becket by starting with B2, skipping the pass
through, and changing to a slide left progression at the end.
I danced these through with a few dancers in a living room and they
worked. I was worried the “Set And Link Contra” wasn’t appropriate for any
crowd, being too simple and repetitive for an experienced dance but too
tricky for beginners. Some of my test dancers agreed, but others thought
that it was satisfying enough to dance to work – which I could see maybe
working for a late evening brain-off-dance-trance vibe.
A few open questions I have about these dances:
- In “Set And Link Contra,” is the big balance right to progress
satisfying or awkward? We didn’t have enough dancers to test the
progression. A different option might be to make it Becket CW and slide
left, then balance back to the right. (I suspect slide right, balance right
would feel too muddy.)
- The balance right and then left sequence isn’t natural to contra
dancers. Is there a way to lead into it that makes it more natural?
(Notably: a couple of my test dancers had done at least a little Scottish
and they both liked it, but one dancer who had only done contra found it
awkward.)
- Alternatively is there a different way of doing that balances that would
be more at home in a contra? I think balancing together and away wouldn’t
give good momentum into turning over the right shoulder, but perhaps
balancing in and out in a ring would work?
- In “Broken Link,” I’m still not sure if the set and link into a robins
left hand allemande sequence feels good. When I tested it myself it felt
flowy in a weaving sort of way, but some of my test dancers reported it was
awkward. We didn’t take time to workshop it to see if the flow felt better
once the set and link was more familiar.
_______________________________________________
Contra Callers mailing list -- contracallers(a)lists.sharedweight.net
To unsubscribe send an email to contracallers-leave(a)lists.sharedweight.net
_______________________________________________
Contra Callers mailing list -- contracallers(a)lists.sharedweight.net
To unsubscribe send an email to contracallers-leave(a)lists.sharedweight.net