Martha wrote:
The beauty of standard, glossary moves is that
experienced dancers can
better help newish dancers, but for the newcomers they're often just as
hard as the "new moves".
Thanks for making that point. I think the familiarity of the dancing makes
the regulars feel more empowered because they "know the drill" and feel
more like insiders. With a greater sense of ownership they feel more
motivated and confident in partnering with first-timers. So the familiar
dances will encourage integration of the newcomers...and that makes the
caller look more competent.
I also want to suggest, gently, that the idea that everyone wants/needs to
be challenged with something new is loaded with a lot of hidden
assumptions. Contra dancing is one of the most ritualized activities I
know of in our culture. Rituals are very popular in all cultures and many
of them have been repeated, unchanged, for thousands of years. Millions of
devotees are very pleased with the "same old thing" over and over,
endlessly. There is a sense of continuity and solid grounding in
traditional ritual behavior that is very popular. I wouldn't bet that
"most" people want something challenging and new at every dance.
I am not, in the least, a preservationist in any sense. I am encouraged
and delighted that contras have evolved even since I have been dancing.
But I am questioning the assumption of an innate need for novelty as a
basic human drive.
Martha then wrote:
I suppose we *could *turn our dances into ONS dances.
Wonder what that
would do towards our effort to bring the delights of contra dancing to
greater numbers of people over time.
I'm not sure what you mean by this. Are you talking about the regular,
public contra dances?...or special events? And what kind of one night
stand are you referring to? Like a wedding, or corporate party?
I am curious about this thought. Please expand on this.
- Greg McKenzie