I’m bumping this for folks who want to talk about
gender preference in
dance partners.
And while I understand the valid social and historical context that would
make inactive roles a good thing for the social part of social dancing,
like Jeff, I’m also really glad we don’t do that much anymore.
Tanya H. Merchant
On Tue, Mar 12, 2024 at 06:01 Jeff Kaufman via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
"The whole point of moving away from Proper
to First Couples Improper
or Becket was that you then had people of the opposite gender on both
sides of you in your minor set, so that all Neighbour and Partner
interactions were with the opposite gender"
That's one advantage for some people, but another advantage of
Improper and Becket is that they make it much easier to have
equal-turn dances, where everyone is 'active' simultaneously. No more
waiting fifteen times through for a chance to be a "one" and then only
getting to dance it twice before the music stops.
Jeff
On Tue, Mar 12, 2024 at 8:54 AM Katherine Kitching via Contra Callers
<contracallers(a)lists.sharedweight.net> wrote:
On the topic of a comfortable swing that maintains the ballroom hold,
i'll
repeat the suggestion I offered a few months back.
As part of our transition to promoting a culture of "we encourage
everyone to
dance with everyone else, regardless of gender, age, level of
experience or any other factor" - and also as a reaction to covid, we've
started designating the standard neighbour swing (and default partner
swing, if you don't know your partner and don't want to experiment), as a
"modified ballroom hold" - which we call the "elbow hold".
This swing gives a little more space between the couple, without in
any way
compromising the effectiveness of the swing in my opinion. (Though
I am sure there will be some other opinions out there ;). )
Ballroom hands same as always.
Other hand cupped around the back of the upper arm of your partner,
just above the
elbow.
Taller person's arm goes above the shorter persons arm.
The more I practice this hold, the more I like it.
I find it makes me more comfortable with everyone (and in fact, as a
cisgender
woman I find it makes the most difference to me when dancing with
men, I have found I like having a bit of extra space between me and any man
who is not my spouse :) )
I offer this in the spirit of "something my group finds effective".
KK
Mar 12, 2024 7:18:46 AM John Sweeney via Contra Callers <
contracallers(a)lists.sharedweight.net>gt;:
Hi all,
I once called Chris Page’s dance where the dancers
scatter
individually and find someone with whom to do a Gypsy Meltdown
(Gypsy & Swing). Many of the ladies got together leaving two men alone in
the middle of the dance-floor. There was absolutely no way that those two
men were going to Swing each other in a Ballroom Hold.
There was an article in the EFDSS magazine not so long
ago about
this very challenge. The author was concerned that by going
gender-free they would lose many good male dancers who weren’t comfortable
with the situation.
Someone in these threads said that, if you prefer
dancing with
ladies, then there is nothing preventing you from only asking
ladies for a dance. But what happens when you get in the set and find that
every Neighbour that you meet is a man!
I and my wife dance many styles, West Coast Swing, Blues, Ceroc,
Modern Jive,
Tango, Salsa, etc. 99% of the time it is one man with one
lady (OK, I specialise in dancing with two ladies at once, but that is
another matter!). Occasionally there will be same-sex pairings, and nobody
thinks anything of it. But it is not being forced on them in the way that
contra dancing is forcing same-sex pairings as you meet and interact with
all your Neighbours.
The whole point of moving away from Proper to First Couples Improper
or Becket was
that you then had people of the opposite gender on both sides
of you in your minor set, so that all Neighbour and Partner interactions
were with the opposite gender!
I think part of the challenge is the very close Ballroom-Hold Swing
which many men
find too intimate with another man. Of course there are
lots of symmetrical holds that don’t have the same challenge – you are
further apart. They don’t have the “Pointy Hand” to help you remember
which side to finish on. I often use these myself in contra dances when I
have a good partner, doing a different Swing each time through the dance,
but I know which side to finish the Swing on. I suspect the Ballroom-Hold
Swing is too embedded in Contra Dance culture to change now, though, of
course, it was not always so.
The communities that I call for all want men dancing with ladies. I
use
geographic and positional calling where it helps. I start most
sessions by saying, “Find a partner, traditionally one man and one lady,
but anyone can dance with anyone.” 99% of the time they will dance with
the opposite gender.
Personally I have a real problem with Larks & Robins since I use Men &
Ladies in my calling. For me the L in Lark makes me think of Ladies, not
Left. It really hurts my brain!
I am all for anyone dancing with anyone. I dance the Lady’s role and
will Swing
anyone. I love Chaos Lines! (And please don’t assume that you
know anything about my sexuality!)
I feel that it is very sad that the traditional and historic concepts
are being
lost. Our culture has always been very inclusive, with everyone
welcome and anyone dancing with anyone they want. I am not at all convinced
that any benefits outweigh the losses.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 &
07802 940
574
http://www.contrafusion.co.uk for Dancing in Kent
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