Thanks for bringing this up David. It's confounded me for 30 years and I've dealt
with it during the walkthru with careful teaching. My preference is to have the dancer
"rolling" being active (and not passively "rolled" by another
person.)It will be interesting to see what others say.
DonnaEmail: dhuntdancer(a)aol.com
Cell: 215-565-6050
On Tuesday, September 2, 2025 at 01:40:43 PM EDT, David Harding via Contra Callers
<contracallers(a)lists.sharedweight.net> wrote:
I've been a bit troubled for years by the call "roll away" (with or without
a half sashay). It's usually taught as though "roll" was an active verb,
something that one dancer, most often the lark, does to the other dancer. Perhaps it
would be more balanced if "roll" were treated as an active verb, so the roll is
something that the dancer making the 360 degree turn does with the assistance of the
partner who does not spin.
-David
On 9/2/2025 11:40 AM, Jerome Grisanti via Contra Callers wrote:
I was chatting with a caller mentee about language that gives one dancer more agency than
another, and how to make such choices more neutral (i.e., all dancers should have agency).
For example, "larks/gents, raise your partners hand" to initiate a California
twirl. Rather, use "partners, raise your joined hands..."
What other examples have y'all heard in the wild of best (and worst) practices?
Thanks!
— Jerome Grisanti
Jerome Grisanti
660-528-0858
http://www.jeromegrisanti.com
"Whatever you do, or dream you can, begin it. Boldness has genius and power and
magic in it." --Johann Wolfgang von Goethe
_______________________________________________
Contra Callers mailing list -- contracallers(a)lists.sharedweight.net
To unsubscribe send an email to contracallers-leave(a)lists.sharedweight.net
_______________________________________________
Contra Callers mailing list -- contracallers(a)lists.sharedweight.net
To unsubscribe send an email to contracallers-leave(a)lists.sharedweight.net