5 Feb
2014
5 Feb
'14
5:02 p.m.
I've always thought of Fan in the Doorway by Gene Hubert this way. It takes
a little mind bending for everyone involved (band, caller, and dancers)
because it's danced to a 3-part slip jig, but once it gets going it can
flow like silk.
Choreography and one caller's notes here:
http://www.sharedweight.net/pipermail/callers/2010-March/002510.html
To those notes, I would only add, work beforehand with the band on how to
get going and how to stop. Your usual 4-beat potatoes aren't going to work.
Also, some bands will have slip jigs of more than three parts. which can
work fine, you just can't count on ending the dance after a particular
phrase in the music. In my experience bands with slip jigs in their
repertoire are delighted to have a chance to play them for dancers.
Joseph
On Wed, Feb 5, 2014 at 6:14 AM, John Sweeney <info(a)contrafusion.co.uk>wrote;wrote:
Hi all,
I am planning some workshops, for festivals here in the UK, with the title
"Flow & Glide Contras: Dances with beautiful flow, connectivity and a
smooth, satisfying glide." (Thanks to Sarah VanNorstrand and no doubt many
others for the title!)
I have lots of ideas already, but am always interested in finding great
dances that I am not familiar with.
If you don't mind sharing, please let me know your favourite ONE or TWO
contras that fit this description.
Many thanks.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362
http://www.contrafusion.co.uk for Dancing in Kent
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