21 Nov
2025
21 Nov
'25
8:35 a.m.
I don't understand the question. I try to visualize it as a dancer, and I
imagine the locations of the other dancers. Why would I give any thought to
where the caller is?
Jacob
jandnbloom(a)gmail.com
http://jacobbloom.net/
On Fri, Nov 21, 2025, 7:57 AM Jerome Grisanti via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
I put the caller behind me on stage with the band, as
I myself take the
vantage of the #1 Lark, then the #1 Robin on a second time through. If the
composition is asymmetrical, I then take on the vantage point of the #2
couple.
Jerome
Jerome Grisanti
660-528-0858
http://www.jeromegrisanti.com
"Whatever you do, or dream you can, begin it. Boldness has genius and
power and magic in it." --Johann Wolfgang von Goethe
On Fri, Nov 21, 2025, 2:42 AM Michael Fuerst via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
As a caller and/or dance composer, when mentally
visualizing a dance do
you put the caller at the top or bottom of your mental simulation.
If the dance is Becket, do you put the caller off to the right or left?
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