This is probably a regional or specific community thing. In our village, St
Louis, Missouri, we just line up improper, and there's a bit of a confused
scuffle if a caller decides (rarely) to call a proper dance. Even though we
do that, our callers usually say, just for tradition's sake, "Line up for a
contra dance, ones cross over" or, if the caller has been calling for 20-30
years, "actives change places", but it's usually irrelevant, since the
whole hall is already in that formation.
We do mention in the beginners class that, historically, the men lined up
in one line and the women in the other and that at some point most dances
began starting with the top couple crossed over, but I doubt if anyone
really remembers that along with all the other, more useful information we
give them in that class.
Mostly, it's just "men on the left, ladies on the right," and people do
what others around them are doing. After they do it often enough it becomes
"just what we do." So we just line up improper, with no thought for the
historical precedent. Some people might momentarily wonder "What's an
active?"
So I'm surprised that your experience is so different, and it makes me
think that your dancers must have started dancing a lot longer ago than our
dancers - oh, wait! They did! So your village speaks a different
dialect. Cool.
M
E
On Sun, May 6, 2012 at 1:48 PM, Chrissy Fowler <ktaadn_me(a)hotmail.com>wrote;wrote:
I was at a dance recently where the caller
noticed that there were
many new dancers and that it probably wouldn't work to just wait for
people to get into position. c
I am curious about the phenomenon that Jeff refers to in this sentence.
I've never danced at, or called, ore even heard about a dance where the
caller could "just wait for people to get into position." Where does this
happen?
I've experienced a few (notable for their rarity) dances where the dancers
IMMEDIATELY take hand four and cross when the caller asks the first time,
for example Montpelier in the late 1990s/early 2000s. (Quite shocking for
a caller used to having at least 4 requests worth of time to talk w band,
etc. before the hands four improper status is achieved.) But this notion
of actually lining up improper is new to me.
Would the caller just know, at a glance, that everyone in a crowded hall
was correctly in position to start the walkthrough? How would dancers
joining the set know that the folks above them were in position correctly?
How much less time does it take than lining up proper and taking hands
four accordingly?
Chrissy Fowler
Belfast, ME
PS In case anyone is taking down data...
- I find as a caller and a dancer that it works well/efficiently to have
all gents in one line, all ladies in the other, start at top, take hands
four, id ones/twos and down/up line of direction for progression, id
neighbors. Even when I'm calling only duple improper contras all night.
- I have no attachment to using terms proper/improper, or
actives/inactives, with duple proper symmetrical dances.
- I think that habitual "insensitive twirling" (late, dangerous, awkward,
confusing-for-twirlee) is a detriment to the spirit of trad NE social
dance. And I say this as someone who has done every one of those sorts of
twirls as a dancer (late, dangerous, awkward, confusing-the-twirlee -- in
my case, with gents who don't expect me to initiate a twirl for them) But
when I do it, I know it's a problem for others around me. You know, sort
of like when you look down and realize you are going 60 in a 35mph zone.
Whoopsy!
From: callers-request(a)sharedweight.net
Subject: Callers Digest, Vol 93, Issue 5
To: callers(a)sharedweight.net
Date: Sat, 5 May 2012 12:00:22 -0400
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Today's Topics:
1. Don't teach proper formation unless you need it (Jeff Kaufman)
2. Re: Don't teach proper formation unless you need it
(George Mercer)
3. Re: Don't teach proper formation unless you need it
(Charles Hannum)
4. Re: Don't teach proper formation unless you need it
(95sg23(a)comcast.net)
5. Re: Don't teach proper formation unless you need it (Jeff Kaufman)
6. Re: Don't teach proper formation unless you need it (Linda Leslie)
----------------------------------------------------------------------
Message: 1
Date: Fri, 4 May 2012 14:32:09 -0400
From: Jeff Kaufman <jeff(a)alum.swarthmore.edu>
To: Caller's discussion list <callers(a)sharedweight.net>
Subject: [Callers] Don't teach proper formation unless you need it
Message-ID: <20120504183209.GA1973(a)melfpelt.swarpa.net>
Content-Type: text/plain; charset=us-ascii
Contra dancing has almost entirely lost the 'proper' formation, with
gents in one line and ladies in another. For most of contra dancing's
history, however, that was the standard formation and many people,
especially callers, still think of it that way.
I was at a dance recently where the caller noticed that there were
many new dancers and that it probably wouldn't work to just wait for
people to get into position. They told all the couples to stand with
the ladies in one line and the gents in another, to take hands for
from the top, and that this was proper formation. Then they introduced
1s and 2s and had all the ones cross over. But they didn't call any
proper or assymetric dances all night! Which is fine; I think they
chose good dances for the crowd. But why introduce the terminology?
Especially when there's so many other terms we want them to be
absorbing?
Jeff
PS: I also posted this on my blog, and there are some comments there:
http://www.jefftk.com/news/2012-05-04.html
------------------------------
Message: 2
Date: Fri, 4 May 2012 14:44:34 -0400
From: George Mercer <geopmercer(a)gmail.com>
To: "Caller's discussion list" <callers(a)sharedweight.net>
Subject: Re: [Callers] Don't teach proper formation unless you need it
Message-ID:
<CACRi76shnLzgLhpPsK2+38KuiwA-z8HAfKBU+HHNh=
xMwkPHCA(a)mail.gmail.com>
Content-Type: text/plain; charset=ISO-8859-1
Good point. I agree. Thanks, George
On Fri, May 4, 2012 at 2:32 PM, Jeff Kaufman <jeff(a)alum.swarthmore.edu
wrote:
Contra dancing has almost entirely lost the
'proper' formation, with
gents in one line and ladies in another. For most of contra dancing's
history, however, that was the standard formation and many people,
especially callers, still think of it that way.
I was at a dance recently where the caller noticed that there were
many new dancers and that it probably wouldn't work to just wait for
people to get into position. They told all the couples to stand with
the ladies in one line and the gents in another, to take hands for
from the top, and that this was proper formation. Then they introduced
1s and 2s and had all the ones cross over. But they didn't call any
proper or assymetric dances all night! Which is fine; I think they
chose good dances for the crowd. But why introduce the terminology?
Especially when there's so many other terms we want them to be
absorbing?
Jeff
PS: I also posted this on my blog, and there are some comments there:
http://www.jefftk.com/news/2012-05-04.html
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Callers mailing list
Callers(a)sharedweight.net
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------------------------------
Message: 3
Date: Fri, 4 May 2012 14:50:42 -0400
From: Charles Hannum <root(a)ihack.net>
To: "Caller's discussion list" <callers(a)sharedweight.net>
Subject: Re: [Callers] Don't teach proper formation unless you need it
Message-ID:
<CAEqW=hNoJ3xs+_JH6sAMSLruQWagnox6joqw15TC+=8ZuG=
kOQ(a)mail.gmail.com>
Content-Type: text/plain; charset=ISO-8859-1
On Fri, May 4, 2012 at 2:32 PM, Jeff Kaufman <jeff(a)alum.swarthmore.edu
wrote:
I was at a dance recently where the caller
noticed that there were
many new dancers and that it probably wouldn't work to just wait for
people to get into position. They told all the couples to stand with
the ladies in one line and the gents in another, to take hands for
from the top, and that this was proper formation. Then they introduced
1s and 2s and had all the ones cross over. But they didn't call any
proper or assymetric dances all night! Which is fine; I think they
chose good dances for the crowd. But why introduce the terminology?
Especially when there's so many other terms we want them to be
absorbing?
If nobody teaches it, then when someone does call one, half the people in
the hall will be starting at the stage like deer in headlights. Much
like
why triplets, triple minors, and even squares, do
not work well in the
Boston-area contra dance scene any more, even though they used to be
called
frequently back in the VFW days.
------------------------------
Message: 4
Date: Fri, 4 May 2012 19:03:18 +0000 (UTC)
From: 95sg23(a)comcast.net
To: Caller's discussion list <callers(a)sharedweight.net>
Subject: Re: [Callers] Don't teach proper formation unless you need it
Message-ID:
<
596413448.2373327.1336158198630.JavaMail.root(a)sz0061a.westchester.pa.mail.comcast.net
Content-Type: text/plain; charset=utf-8
Without using the terminology of "proper", I? find it easier when
teaching a beginner's workshop to line up all the men/women on their
respective sides, then teach 1s & 2s, then have the 1's change places with
their partners , ensuring the men have their partners on the right and
ladies on the left, whichever way they are facing.? If i do call a proper
dance during the evening, it's easy enough to have them line up that way.
----- Original Message -----
From: "Jeff Kaufman" <jeff(a)alum.swarthmore.edu>
To: "Caller's discussion list" <callers(a)sharedweight.net>
Sent: Friday, May 4, 2012 2:32:09 PM
Subject: [Callers] Don't teach proper formation unless you need it
Contra dancing has almost entirely lost the 'proper' formation, with
gents in one line and ladies in another. For most of contra dancing's
history, however, that was the standard formation and many people,
especially callers, still think of it that way.
I was at a dance recently where the caller noticed that there were
many new dancers and that it probably wouldn't work to just wait for
people to get into position. They told all the couples to stand with
the ladies in one line and the gents in another, to take hands for
from the top, and that this was proper formation. Then they introduced
1s and 2s and had all the ones cross over. But they didn't call any
proper or assymetric dances all night! Which is fine; I think they
chose good dances for the crowd. But why introduce the terminology?
Especially when there's so many other terms we want them to be
absorbing?
Jeff
PS: I also posted this on my blog, and there are some comments there:
??http://www.jefftk.com/news/2012-05-04.html
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------------------------------
Message: 5
Date: Fri, 4 May 2012 16:16:24 -0400
From: Jeff Kaufman <jeff(a)alum.swarthmore.edu>
To: Caller's discussion list <callers(a)sharedweight.net>
Subject: Re: [Callers] Don't teach proper formation unless you need it
Message-ID: <20120504201624.GA4784(a)melfpelt.swarpa.net>
Content-Type: text/plain; charset=us-ascii
Charles Hannum wrote:
If nobody teaches it, then when someone does call one, half the
people in the hall will be starting at the stage like deer in
headlights.
I would say that if a caller wants to do something uncommon they
should be prepared to teach it to the people who haven't seen it
before.
You seem to be proposing that callers teach things they don't intend
to use so callers at future dances don't have to.
(I wasn't trying to get into the question of whether the caller was
wrong to program an evening without any proper or unequal-turn dances,
though I don't think they were.)
Jeff
------------------------------
Message: 6
Date: Fri, 4 May 2012 17:59:32 -0400
From: Linda Leslie <laleslierjg(a)comcast.net>
To: Caller's discussion list <callers(a)sharedweight.net>
Subject: Re: [Callers] Don't teach proper formation unless you need it
Message-ID: <E9D77335-70AF-4120-AF3A-908AE6F093F7(a)comcast.net>
Content-Type: text/plain; charset=US-ASCII; format=flowed; delsp=yes
I agree with 95sg23(a)comcast.net. I very often will ask a large group
of new dancers to line up proper (and I explain what that means), for
*my* benefit. I share that when dancers line up in this way, it
signals me that they are ready to start dancing, and that it is easier
to organize the actual formation that comes next. This also leads to a
more direct understanding of what improper then means, so what we
teach/dance than takes on some logic. I also mention some history,
but never take too long doing it.
And even if I don't call an actual proper formation dance, there are
lots of times when it is useful to let dancers know that they are
"proper" and that this is the correct position to be in. A good
example would be a contra corners (cc) dance (not talking about
beginners here). It is helpful for folks to know that they are in
proper formation at the start of the cc (at least for most cc dances).
The time spent on this concept is minimal, and I believe well worth
the time. Sharing information is more inclusive, and I believe dancers
appreciate this.
Interesting thread! Thanks, Jeff!
warmly, Linda Leslie
On May 4, 2012, at 3:03 PM, 95sg23(a)comcast.net wrote:
Without using the terminology of
"proper", I find it easier when
teaching a beginner's workshop to line up all the men/women on their
respective sides, then teach 1s & 2s, then have the 1's change
places with their partners , ensuring the men have their partners on
the right and ladies on the left, whichever way they are facing. If
i do call a proper dance during the evening, it's easy enough to
have them line up that way.
----- Original Message -----
From: "Jeff Kaufman" <jeff(a)alum.swarthmore.edu>
To: "Caller's discussion list" <callers(a)sharedweight.net>
Sent: Friday, May 4, 2012 2:32:09 PM
Subject: [Callers] Don't teach proper formation unless you need it
Contra dancing has almost entirely lost the 'proper' formation, with
gents in one line and ladies in another. For most of contra dancing's
history, however, that was the standard formation and many people,
especially callers, still think of it that way.
I was at a dance recently where the caller noticed that there were
many new dancers and that it probably wouldn't work to just wait for
people to get into position. They told all the couples to stand with
the ladies in one line and the gents in another, to take hands for
from the top, and that this was proper formation. Then they introduced
1s and 2s and had all the ones cross over. But they didn't call any
proper or assymetric dances all night! Which is fine; I think they
chose good dances for the crowd. But why introduce the terminology?
Especially when there's so many other terms we want them to be
absorbing?
Jeff
PS: I also posted this on my blog, and there are some comments there:
http://www.jefftk.com/news/2012-05-04.html
_______________________________________________
Callers mailing list
Callers(a)sharedweight.net
http://www.sharedweight.net/mailman/listinfo/callers
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------------------------------
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End of Callers Digest, Vol 93, Issue 5
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--
As you set out for Ithaka, pray that your journey be long, full of
adventure, full of discovery...
May there be many summer mornings when, with what pleasure, with what joy,
you enter harbors you're seeing for the first time.
~Constantine Cavafy, "Ithaka" 1911