Here's something I did on the spur of the moment once:
I was calling at my home dance when about 15 new young dancers showed up during the first
dance of the evening and clumped in the entrance corner. I stopped the dance, welcomed the
new folks, and asked the experienced dancers on the dance floor to thank their partners
and invite a newcomer to dance. Everyone was gracious about it, we reformed sets, and I
just ran the same first (beginner friendly dance) some more.
This worked well, and I'd try it again under similar circumstances.
Richard
On Aug 25, 2010, at 11:25 AM, Richard Hart wrote:
Jeanette,
If the late arriving new dancers do not out number the dancers already present, there are
two things that can be done:
1. Acknowledge and greet the new arrivals. Then tell them these dances are easy, but they
should dance a couple of dances with experienced dancers first. Most regular dancers, here
at least, would take that as a hint to ask the new people to dance, and also make the new
arrivals feel that that is the right thing to do.
2. Then for their first dance, I'd chose a well connected dance, one where most of
the figures involve having at least one other dancer in your hand(s). (Star instead of
R&L, allemande instead of do-si-do or gypsy, circle instead of square through, etc). A
couple of dances that I like for this situation are Cranky Ingenuity by Bill Olsen, The
Nice combination by Gene Hubert, or even Roll in the Hey by Roger Diggle (for some time
later with a combination of beginners and experienced dancers)
If the arriving beginners do out number the existing experienced dancers, you could do
what Don Primrose does in Nelson every summer. That is to immediately do a simple circle
dance. This lets the new arrivals dance with a lot of dancer, and it also gives them a
chance to practice a few basics. Then ask everyone to dance the next contra with their
last partner in the circle dance.
These approaches work here where the new arrivals usually have an average age of about
18. With older dancers, of course, your mileage may vary, and you may need to make
further adjustments. ;-)
Rich.
Jeanette Mill remarked on 8/25/2010 9:43 AM:
I had the pleasure of touring interstate on the
weekend and calling for a dance workshop and dance. I worked out the programs on the
assumption that the overall skill level would probably be lower in the evening dance than
the workshop. (The Saturday night phenomenon). So, having survived by adapting the program
to err on the side of easier dances, after a group of about 8 total beginners arrived part
way into the dance, I am keen to hear other people's ideas on dealing with this.
Cheers
Jeanette
The piano - 88 little mistakes waiting to happen; Peter Barnes
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