Those are good points, Jerome.  One example in the really REALLY bad
category is "Swing 'er!".  I grit my teeth every time I hear it, even
though the intent is joyful. (There's a particular caller nearby who uses
it a lot.)
--jh--
On Thu, Sep 4, 2025 at 8:07 AM Jerome Grisanti <jerome.grisanti(a)gmail.com>
wrote:
  Joe et al,
 I agree that equal agency isn't always possible or even the goal. I just
 want each dancer to know they are playing an active role. Compare, for
 example, older dance instructions directed only to the "actives," or to the
 "gents." The "inactives" can be caught flat-footed if they are
thinking the
 call isn't directed to them.
 E.g., 'swing the one below' instead of 'swing your neighbor.'
 Or in old square dance patter, 'swing your lady' instead of 'swing your
 partner.' More than one MWSD dancer has insisted that the gent always
 swings the lady, while contra dancers generally think they swing each
 other. There is historic value in that type of patter, of course, but also
 value in making language choices that invite every dancer to step
 confidently into their part of any interaction.
 And of course when dancers are new there is necessarily some leading, as
 well as the lead/follow framework (I think "offer/response") of things like
 flourishes.
 I'm just looking for examples of language that has caught your ears as
 being either very good or very much to be avoided. Looking for
 illustrations of language that encourages or discourages agency.
 — Jerome
 Jerome Grisanti
 660-528-0858
 
http://www.jeromegrisanti.com
 "Whatever you do, or dream you can, begin it. Boldness has genius and
 power and magic in it." --Johann Wolfgang von Goethe
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