Those are good points, Jerome. One example in the really REALLY bad
category is "Swing 'er!". I grit my teeth every time I hear it, even
though the intent is joyful. (There's a particular caller nearby who uses
it a lot.)
--jh--
On Thu, Sep 4, 2025 at 8:07 AM Jerome Grisanti <jerome.grisanti(a)gmail.com>
wrote:
Joe et al,
I agree that equal agency isn't always possible or even the goal. I just
want each dancer to know they are playing an active role. Compare, for
example, older dance instructions directed only to the "actives," or to the
"gents." The "inactives" can be caught flat-footed if they are
thinking the
call isn't directed to them.
E.g., 'swing the one below' instead of 'swing your neighbor.'
Or in old square dance patter, 'swing your lady' instead of 'swing your
partner.' More than one MWSD dancer has insisted that the gent always
swings the lady, while contra dancers generally think they swing each
other. There is historic value in that type of patter, of course, but also
value in making language choices that invite every dancer to step
confidently into their part of any interaction.
And of course when dancers are new there is necessarily some leading, as
well as the lead/follow framework (I think "offer/response") of things like
flourishes.
I'm just looking for examples of language that has caught your ears as
being either very good or very much to be avoided. Looking for
illustrations of language that encourages or discourages agency.
— Jerome
Jerome Grisanti
660-528-0858
http://www.jeromegrisanti.com
"Whatever you do, or dream you can, begin it. Boldness has genius and
power and magic in it." --Johann Wolfgang von Goethe
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