Hi Angela,
              It looks like a simplified version of Bill Olsen’s “A Night at the Opera”:
http://www.ibiblio.org/contradance/thecallersbox/dance.php?id=95
 
              Circassian Circle is much simpler.  I wouldn’t consider it to be related. 
Did you know that most people only dance Part 2?  Lots more information at:
http://contrafusion.co.uk/Dances/EFDS4802-CircassianCircle.html
 
            Happy dancing,
                   John                       
                                    
John Sweeney, Dancer, England   john(a)modernjive.com 01233 625 362 & 07802 940 574
http://www.contrafusion.co.uk for Dancing in Kent                                         
 
From: Angela DeCarlis via Contra Callers <contracallers(a)lists.sharedweight.net> 
Sent: 19 November 2023 17:07
To: mjw(a)mowaddington.plus.com
Cc: Shared Weight Contra Callers <contracallers(a)lists.sharedweight.net>
Subject: [Callers] Re: Favorite One Night Stand Dances
 
Hello all,
 
I called an awesome one-off gig on Friday night (honestly the most fun ONS ever for me)
and used a lot of the dances mentioned in this thread — thanks everyone! I'll include
my program below.
 
I also called a Circle Mixer that I've had in my box for a long time, but I don't
remember where I got it and don't know its name or author — maybe one of y'all
will recognize it? It goes:
 
A1: Ladies in 3 steps, clap on the fourth beat (4)
      While Ladies back out, Gents in 3 steps, clap on the fourth beat (4)
      Gents face out, return to place to form a wavy line (circle) (8)
A2: Balance wave R, L (4), Allemande R 1x (4)
      Balance wave L, R (4), Allemande L 1x (4)
B1: New Partner (the person you turned by the Right) Balance & Swing
B2: All promenade CCW (Gents in the Center), face in as couples to reform the circle
 
This dance was a little harder to teach than most of the other things I called (it was
also the only dance I called with two roles) but was easily danced — the rhythm and timing
makes sense, and if you emphasize who promenades on the inside/outside in the B2, then
everyone stays in the same role regardless of the way the swing is done or where the
dancers end it. The timing overall has a lot of cushion, giving dancers plenty of time to
hit the beats in the A1 and (to a lesser extent) A2.
 
Here's the rest of my program:
1.	Lucky Number Seven
2.	Galopede
3.	Do Si Three
4.	Accretion Reel
5.	Waves of the Sea
6.	The Loon Dance
7.	[Circle Mixer above]
This got us through about 2 hours of dancing with some beefier-than-usual breaks in
between each set. I walked through all the dances twice.
 
Best,
Angela