This tune is fairly common around Boston. The B1 says down the hall to me.
When all else fails, go with Linda Leslie
<https://lindalesliecaller.contracorner.com/dances/duple-minor-contras.html>
:
Autumn Leaves Becket-CW/Easy (10/21/2000 Northampton, MA)
A1 Long Lines forward and back
Circle left three-quarters, pass through
A2 Next neighbor do si do and swing
B1 Four in line down the hall, turn as couples, Return
B2 Ring Balance
Gents bring partner home to swing
Lots of alterations possible from there.
-Don
On Sun, Mar 19, 2023 at 5:54 PM Katherine Kitching via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
Hello from Halifax!
I will preface this by saying that I consider myself a relatively
"beginner" caller. I have been working on it for about 15 years now and I
think I've become somewhat proficient at calling a very beginner-friendly
sequence of dances at our monthly beginner-friendly dances here in Halifax
- but that is about the extent of what I do.
And we rarely ever dance anything as involved as a Hey, here :)
One area where I definitely lack skill is communicating to our bands (we
have 4-5 groups who play for us regularly), in a succinct manner that
doesn't ruffle their feathers, about what sort of a tune I want for each
dance.
This task is made more difficult by the fact that I write (or heavily
modify) pretty much all our dances, so I can't look online to find
recommendations or videos of tunes that fit.
As far as I know, I am a polite and caring human who never sets out to put
anyone down or show them that I know better. I try to be humble about the
fact that i'm just learning and doing the best I can. For example, last
month, with apologies, I asked the band if they would mind quickly going
through their planned tunes for the evening, so I could run through my
dance program and try to assign a dance to each tune.
Because I lack the vocabulary and experience to tell a band "for this
dance, I need a tune with characteristics X and Y" - having them play the
tune one time through (sometimes even just half of it!) is so far the most
effective method i've found to get a tune that works for each dance. It's
also worth mentioning that our bands are not experienced contra bands -
since we are the only contra group they work with - and most have limited
sets to offer us - for example the last band came with 8 sets of tunes, to
match up with the 8 dances I had planned.... so when I found one or two
that weren't an ideal fit for anything, I did have to work quite hard
rearrange things a few times to slot everything in!
Anyhow it took about 7 minutes to do this, and I thanked them profusely,
and the dance-tune meld went well! I thanked them again after. But still,
the lead musician told me after the event that she "didn't really
appreciate being told which tune to play when" . And that deflated me for
sure :(
Anyhow, I welcome any grains of wisdom on this process generally (and/or a
link if one exists to this amazing cdss online workshop I took years ago on
matching tunes to dances/communicating with bands)....
but my specific question is this:
A *different* band - the one whose feathers I most often seem to ruffle
haha - has always played a tune set somewhere in the evening, the past few
times they've played for us, that no matter which dance I called to it, I
felt it was always a really bad fit.
I never said anything bad about it, to be clear!! But after a few dances
where it bummed me out every single time, I finally asked the lead musician
via email (as politely as I could, putting all the blame on myself: "I just
can't seem to find a dance that i'm able to call to this tune, would you
mind leaving it out in the future?" ).
I got this response:
"The Queteux Pomerleau set that you are quoting can be removed - the speed
of the dancers never gets up to a level to make that set effective. They
are Quebecois tunes that we learned from Sue, but in Quebec they are danced
to quite fast."
(This refers to Sue Songer who came as part of an amazing week-long
workshop CDSS blessed us with about 8 years ago.)
Anyhow I was curious if anyone knows of this set, and could suggest some
simple contra dances that would go well with it.
I confess I am not a fan of the feel of the tune for the context in which
I call - most of the east-coasty jigs and reels that this band and our
other bands play really get all the dancers cheering and stomping their
feet, and this one never does....
But I want to be open minded about it :)
thanks!
Kat K in Halifax
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