Martha wrote:
  I'm surprised not to see The Spanish Waltz on this
list, as I love to dance
 it. Is it not English enough, or is there some authenticity problem with it? 
Which flavor Spanish Waltz?  The one I'm generally used to is a duple minor or
Sicilian Circle; a keeper, not a mixer.
-- Alan
  On Tue, Oct 12, 2010 at 8:37 AM, Michael Clark
<michael.clark(a)wmich.edu>wrote;wrote: 
  > It's interesting to see the votes for The
Wood Duck, which has always been
 > a favorite of mine, too.
 >
 > About 15 years ago I was asked to call a series of dance parties for a
 > church social group, one a month for 3 months. One night I thought I'd try a
 > waltz mixer. Knew The Wood Duck would be too much of a challenge, so I
 > worked up the following substitute figures for the same tune (Bare
 > Necessities recording):
 >
 > Formation: Circle of couples with partners facing, gents with backs to
 > center, ladies facing the center.
 > Music: 32 bar waltz tune
 > A1 Right hand balance together and apart, box the gnat to trade places.
 > Joining left hands as well, do a cross-hand two-hand turn once around. Now
 > gents are facing the center.
 > A2 That again. Now everyone is back in the starting place.
 > B1 With partner, dos-a-dos. On left diagonal, dos-a-dos neighbor (=next
 > partner).
 > B2 With neighbor (new partner) waltz promenade (those who can and wish to
 > may do a turning waltz), end facing this partner and give right hands to
 > start next round of dance.
 >
 > Didn't give it a title at the time but came to think of it as The Wood
 > Phoenix, which incorporates the church name as well as the dance and tune
 > that were its inspiration. I probably used the recording of The Wood Duck
 > the first time I called it but have used other tunes, recorded and live, as
 > well.
 >
 > The two-hand turns in A1 and A2 could go just half-way, or even once and a
 > half around, as long as everyone is back in the starting position at the end
 > of A2.
 >
 > Mike
 >
 >
 >
 > At 11:40 PM 10/11/2010, you wrote:
 >
 >> I agree with Alan's choices, and will just add that Circle Waltz (or
 >> Family Waltz) works very nicely to the tune Tombigbee Waltz, especially at
 >> the chassee steps.
 >>
 >> Richard
 >>
 >> On Oct 11, 2010, at 10:41 PM, Alan Winston - SSRL Central Computing wrote:
 >>
 >> > Chrissy wrote:
 >> >
 >> >> A poll:  What's your favorite waltz mixer, and why?
 >> >
 >> > For experienced English dancers:
 >> > "The Wood Duck", because of the trance-inducing match of tune and
dance,
 >> > elegant flow, partner and neighbor interaction.
 >> >
 >> > For everybody else:
 >> > "Circle Waltz" (Big circle, balance and roll-away 4x, with this
one
 >> balance
 >> > in and out, roll in, repeat going out, chassee in, chassee out, waltz
 >> around)
 >> > or some variation, because it's so accessible,  connects the whole
room
 >> > repeatedly, lets you see most of the opposite-sex people in the room if
 >> only
 >> > for a fleeting moment, and works with many flavors of waltz.)
 >> >
 >> >
 >> >
 >> > -- Alan
 >> >
 >> > --
 >> >
 >> ===============================================================================
 >> > Alan Winston --- WINSTON(a)SSRL.SLAC.STANFORD.EDU
 >> > Disclaimer: I speak only for myself, not SLAC or SSRL   Phone:
 >>  650/926-3056
 >> > Paper mail to: SSRL -- SLAC BIN 99, 2575 Sand Hill Rd, Menlo Park CA
 >> 94025
 >> >
 >> ===============================================================================
 >> >
 >>
 >
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 > 
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 > 
  --
 For the good are always the merry,
 Save by an evil chance,
 And the merry love the fiddle
 And the merry love to dance. ~ William Butler Yeats
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-- 
===============================================================================
 Alan Winston --- WINSTON(a)SSRL.SLAC.STANFORD.EDU
 Disclaimer: I speak only for myself, not SLAC or SSRL   Phone:  650/926-3056
 Paper mail to: SSRL -- SLAC BIN 99, 2575 Sand Hill Rd, Menlo Park CA   94025
===============================================================================