Balance neighbor (4), swing partner (12)
Ones dosido below while twos seesaw above (8).
Long lines forward (4), swing on the side (8), long lines back (4).
Circle left 1x (6) pass through (2)
Jeff
On Mon, Aug 5, 2024 at 9:51 PM Tepfer, Seth via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
- A right chain INTO a swing
- A swing into a circle right
- Standard right shoulder hey into a swing
Plenty other bad flow examples
Seth Tepfer, MBA, CSM, PMP (he, him, his)
Senior IT Manager, Emory Primate Center
<https://outlook.office.com/bookwithme/user/fcd3f5d71da848759228584d1a49babd@emory.edu?anonymous&ep=signature>
Book
time to meet with me
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------------------------------
*From:* Jonathan Sivier via Contra Callers <
contracallers(a)lists.sharedweight.net>
*Sent:* Monday, August 5, 2024 9:48 PM
*To:* New Contra Callers List <contracallers(a)lists.sharedweight.net>
*Subject:* [External] [Callers] Re: Choreographic No-Nos
I don't agree with your list. Yes, swings on the first half of a phrase
are challenging and I might try to avoid them. There are dances with this
that generally work fine, especially if the caller is aware of the
potential issue and teaches and calls accordingly. The do-si-do across can
be a bit awkward in a crowded line, but only if everyone is doing the
do-si-do. If only the 1's or 2's are doing it then there is no problem.
Shadow swings seem to be a personal preference or dislike and not really a
choreographic issue. I actually think that a right chain after a swing can
work very well. If you end the swing with the pointy hands pointing across
then the right hands of the right hand dancers are right there ready to
pull by. I suppose you might say there is a momentum change, but that can
be very welcome in a dance where everything seems to be traveling the same
way. Not every dance has to have continuous motion in the same direction
all the time. I danced a dance with that set of figures just last Friday
and I was thinking to myself how well it seemed to work.
So I see #1 and #3 as more of a challenge than a problem. #4 is a
personal preference and #2 seems like a perfectly fine transition between
figures.
Jonathan
On 8/5/2024 7:37 PM, Michael Fuerst via Contra Callers wrote:
I am accumulating a list of figures, or figure
sequence that
significant dance writers (not necessarily a majority) consider
Choreographic No-Nos
My list so far:
1. do-si-do across
2. right chain after a swing
3 short swings on an odd phrase
4. Shadow swings
Does anyone have further suggestions?
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