Laurie,
Thanks so much for the detailed feedback. I'm glad you and they enjoyed 
it, flourish or not.
Walter
Laur wrote:
  Waler -
 I called Nail the Catfish one night last month, right 
 after your post, in fact.
 The band was excited about playing the tune since they
 typically have only played this informally, in a jam,
 not for a dance. (Steve Rosen is someone familiar to
 us.) Although other tunes could have worked, whenever
 I called they kept asking - do we play it this time? 
 I'd  say no, it's  the  second to last dance IF
 there's time..  but because we had a more intermediate
 crowd, and the other caller and I did efficient walk
 throughs, I was able to fit it in before break!
 I did ONE walk through (not usual in this community in
 West MI).
 From what I observed, and what a few dancer/
callers 
 told  me, the dance went into memory easy. And as
 confirmation, I felt little need to do more than
 prompt every so often after a few times through the
 dance.  The dance was "tight" or not flexible with
 timing - so if someone was 'late' it really tossed
 a cog in the flow. I made a very big point of the four
 steps and why in the walk-through, and I prompted the
 first few dances specifically about when to turn and
 when to arch. Unfortunately, in that community there
 are long time dancers without any sense of music or
 timing... and so - 
 The feedback I got was positive in terms of flow. And
 some felt that they could relax into the dance 
 because of the physical memory.  one caller felt that
 it became boring to him because he didn't have time
 for flourishes.  But there's the old push and pull -
 does florishability make a dance?
 I'm quite annoyed by those dancers, young or old, that
 loose the sense of timing and flow to get an extra
 twirl or swing extraordinaire or swap the neighbor. Do
 ALL that and more - but be ON TIME. 
 Although I'm cautious about associating a dance with
 one tune, its a good measurer. If the band knows the
 tune then they can play it or anything similar to it. 
 I trust the band.  I'd say, this tune was written for
 Nail the Catfish, and if they know that tune they can
 get the feeling for the flow, playing it or not. 
 And the author IS correct, it is a tight fit for four
 down the hall, and I'd say that they have to prepare
 to lift at four so the ends can turn in to pass
 through as they walk back up the hall.
 I'd call it again, (and again).  People were smiling.
 Folks applauded. Full credit to the author awarded...
 Laurie
 --- Walter Daves <walterdaves(a)alltel.net> wrote:
   
  I've composed three dances that I'd like
to put out
 to the list for 
 feedback.  I'd appreciate any comments you might
 have. 
 Walter
 Sadie and theBack door
 Duple, Improper
 Walter Daves
 A1:  Neighbor gypsy and swing
 A2:  Gents allemande left 1.5 to partner; partner
 swing
 B1:  Gents start hey for 4, passing left shoulders
 in the center
 B2:  Circle left 3 places; balance the ring; partner
 California twirl to 
 face next
 This dance was inspired by Jere Canote's tune of the
 same name about his 
 cat, Sadie, who would meow at the front door to get
 out, then 
 immediately go around to the back door and meow to
 get back in.  It 
 works pretty well with that tune.
 Nail That Catfish to the Tree
 Duple, Improper
 Walter Daves and Bob Dalsemer
 A1:  In ring of 4, balance the ring; circle left 2
 places; balance the 
 ring; circle left two places, back to starting
 point.
 A2:  Couple # 1 balance and swing
 B1:  Neighbor do-si-do and swing; end facing down
 the hall with #2 
 couple in the middle
 B2:  Down the hall 4 in line, turn single, return,
 #2s arch and #1s duck 
 thru to next.
 To avoid the rush from B2 to the next A1, encourage
 the dancers to turn 
 around after only 4 steps down the hall.
 I wrote this dance 3 years ago at the John C.
 Campbell Folk School Dance 
 Caller's workshop.  Bob Dalsemer made a couple of
 improvements. 
 It was inspired by Steve Rosen's tune of the same
 name, and works well 
 with that tune.  We play it in a medley with
 Squirrel Heads and Gravy, 
 which also works well.
 Little Nell
 Duple, impoper
 Walter Daves
 Line up in a wavy line of 4, with ladies in the
 center
 A1:  Balance the line; allemande right .5 to wavy
 line with gents in 
 center;  balance the line;
        Gents allemande left to partner
 A2:  Partner balance and swing
 B1:  Ladies allemande right 1.5 to neighbor;
 neighbor swing
 B2:  Circle left; balance the circle; ladies roll
 away to change places 
 with partner; pass thru to next
 Inspired by Tony Mates' tune of the same name.
 */ / *
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