Good hand placement on swings
No/loose thumbs
Flourishes are optional
How to accept or decline a basic Twirl
Looking at the other dancer even if no eye contact
Opportunities for eye contact - especially in dances where you can connect
and one role follows the other without contact
Looping wide where appropriate (hey for four, other various examples where
one role has momentum and can flow into another move)
Good shared weight, especially for beginner crowds
End effects, as relevant and not intuitive from the choreo
How to properly do a pushback in a ricochet hey
Spinning the correct way in a petro spin
How a courtesy turn is two people moving as a unit, not one person scooping
the other around
1 step per beat of music, forwards usually - (newbs love to side shuffle on
swings, ya know?)
When a move has extra time to fill, or arrive early, etc
Asking people who sat out to dance
A swing should be smooth, not skipping
Optional swings (like the Shadow thread, or a same role alle R in the
middle, sometimes)
After walking through a few connected moves, conveying how to flow them
together
Prolly more, but, I'll stop here. :)
In dance,
Julian Blechner
He/him
Western Mass
On Wed, Jul 17, 2024, 4:24 PM Harris Lapiroff via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
I’m trying to add more style points to my teaching.
What are some of your
favorite brief style or safety tips to deliver from the mic? Ones that are
relevant to specific sequences, general tips, for beginners, or for
experienced dancers, I’m interested in any and all of them!
Harris Lapiroff
Dance Caller and Organizer
Boston Intergenerational Dance Advocates Board (Cambridge MA)
Pinewoods Camp, Inc Board (Plymouth MA)
https://chromamine.com/contra/
_______________________________________________
Contra Callers mailing list -- contracallers(a)lists.sharedweight.net
To unsubscribe send an email to contracallers-leave(a)lists.sharedweight.net