As a musician and a caller, I have mixed feelings on callers jumping
back in for the last time through. Changing the dance to end with a
partner swing ("this time, long lines, swing your partner") can be
nice, but mostly I don't think bringing the calls back in adds very
little and detracts from the music.
No mixed feelings here - I feel a caller who calls the last time thru for calls the
dancers have already mastered is just flat out ego-tripping. In effect, they're
saying "Remember me, I'm still here - don't forget to applaud for me
too." The main reason bands want 2 or 3 to go out is to build to a satisfying
finish. Most modern bands have learned how to do that so dancers can feel it coming, and
calling over that is at best distracting and at worst disrespectful for what the band has
been working towards all along.
I do change some dances to finish with a partner swing, especially when the dance has a
lot of partner action. But even then, just call the last B2, not the whole dance. A
simple "THIS TIME, go forward and back, and swing" reunites partners at the end
without getting in the band's way. For slots that are primarily band showcases, such
as the last dance of the first half or the last dance of the night, I'll favor Becket
dances that end with a partner swing so that isn't needed.
If you want to be calling at the end of a dance, call a square. Otherwise, let the band
have the undivided attention of the dancers -
Bob