In England we're not nearly so interested in the swing. I don't know whether this
is because dancers are generally
older, or because they're more likely to dance with the same partner a lot of the
time, or because they like more varied
choreography. I know I've said this before, but it seems that a lot of choreographers
in North America think "Balance
and swing neighbor, circle left three places, swing partner - OK, what shall I put in this
dance?" And half the dance
is gone.
I find I have a very different repertoire calling in the States from calling in England.
And still the most popular
contra in England (ever since I started dancing) is "Devil's Dream" which is
a fast-moving all-action fun contra - with
no swing.
https://www.cambridgefolk.org.uk/contra/dances/devils_dream.html
The old contras in books such as the Community Dance Manuals tended to have more neighbour
interaction than partner, and
the swing was usually with neighbour. In England I tend to call contras with a partner
swing but no neighbour swing,
and that opens up lots of interesting possibilities.
In case this is too horrifying a prospect for Americans, I must point out that I've
written a contra with THREE swings!
https://colinhume.com/instl.htm#AltSwing
Colin Hume