On Aug 6, 2024, at 3:32 PM, Elizabeth Bloom Albert via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
Please, pretty please, with sugar on top!
Please don’t call (or write) any more dances where a Half-Promenade
(across the set) is followed by a Circle to the Left! With the possible
exception of interlocking long wavy lines-- another big ugh! in my book,
there is nothing more jarring than the 1/2 Prom to a Circle Left combo
I once attended an (out-of-town) dance where three dances were called
that had that combo (three!) and in spite of all the (other) pretty good
dances and excellent dance partners, this is what I remember about that
experience to this day!
On Tue, Aug 6, 2024 at 8:29 AM Julian Blechner via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
My biggest nono is "too much
clockwise". If moves are awkward or with
meh flow, that's not a health or safety thing. Whereas getting dizzy is.
In dance,
Julian Blechner
He/him
Western Mass
On Tue, Aug 6, 2024, 8:40 AM Angela DeCarlis via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
Surprised no one's mentioned interlocking
long wavy lines, yet — I
think it's relatively well-known that Lisa Greenleaf hates this move! Can't
say I'm a huge fan, either, but it has its moments.
For my two-cents, butterfly whirls are on thin ice! I'll program dances
that include this figure with a partner on rare occasion, and symmetrical
dances with both a partner and neighbor whirl could be novel enough to be
okay (???) on a cold day, but I think I would essentially never call a
dance with only a neighbor butterfly whirl.
There are too many excellent dances to ever bother with the mediocre
ones, honestly.
On Tue, Aug 6, 2024, 3:14 AM Neal Schlein via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
> I agree with Jonathan about your existing list, and think that almost
> any sequence CAN be used if done with knowledgeable intent.
>
> However, for the general list of things to avoid I would nominate what
> I like to call “fudge down the line,” which is any adjustment that a)
> happens solely because the sequence doesn’t fully progress the couples and
> b) does not flow naturally from the existing movement. (This most often
> happens in Beckett dances or those substantially in Beckett formation;
> examples include a 2 count sideways slide along the line or a slightly
> angled right and left thru.)
>
> Notably, the 4 beat slide in “With Thanks to the Dean” and similar
> dances would not count because they are full and discrete actions
> that are specifically accounted for in the flow and timing.
>
> Neal Schlein
> Librarian, MSLIS
>
>
> On Mon, Aug 5, 2024 at 10:28 PM Michael Fuerst via Contra Callers <
> contracallers(a)lists.sharedweight.net> wrote:
>
>> Depending on the flow of the dance, balance and box the gnat can
>> often replace dsd and shoulder rounds 1 1/2
>>
>> On Mon, Aug 5, 2024 at 11:17 PM Maia McCormick via Contra Callers <
>> contracallers(a)lists.sharedweight.net> wrote:
>>
>>> I don't have Bob's list handy, but I cribbed heavily from it to make
this
>>> (much less extensive) list of figures + timings
>>> <https://contra.maiamccormick.com/assets/pdfs/esc-choreo-figures.pdf>,
>>> in case it's useful to anyone!
>>>
>>> (This reminds me of some more things I don't like, ha. Circle L and
>>> pass through to swing -- IME the swing always gets truncated. Dosido 1.5x
>>> and right shoulder round 1.5x don't quiiite fit in 8 counts of music and
>>> are often frustrating. And I don't call couples' dosidos anymore,
they're a
>>> pain to execute correctly unless everyone in the hall is EXTREMELY on top
>>> of it.)
>>> --
>>> Maia McCormick (she/her)
>>> 917.279.8194
>>>
>>>
>>> On Tue, Aug 6, 2024 at 12:02 AM Joe Harrington <
>>> contradancerjoe(a)gmail.com> wrote:
>>>
>>>> Is Bob Isaacs in the house? He has a giant spreadsheet with every
>>>> possible move transition and a count of the number of times it occurs in
a
>>>> set of dances that now numbers in the hundreds or maybe a lot more.
It’s
>>>> interesting which unlikely combinations do occur and which rarely do. I
>>>> hope this someday sees the light of day.
>>>>
>>>> —jh—
>>>>
>>>>
>>>> On Mon, Aug 5, 2024 at 11:29 PM Maia McCormick via Contra Callers <
>>>> contracallers(a)lists.sharedweight.net> wrote:
>>>>
>>>>> Jeff, impressively bad, well done!
>>>>>
>>>>> My biggest pet peeve is a RH chain (or promenade, or other move
>>>>> with a CCW courtesy turn) into a circle L—though this is a very
>>>>> of-the-moment style preference, as I know plenty of the classic
dances have
>>>>> this combo. (Likewise for dances where just the 1s do a figure while
the 2s
>>>>> stand around, doubly so if the dance doesn’t alternate active
couples.)
>>>>>
>>>>> Long lines followed by a chain is quite idiomatic—and probably in
>>>>> part because of the strength that idiom, a chain (or other courtesy
turn
>>>>> figure) followed by long lines drives me up a wall.
>>>>>
>>>>> I don’t love long lines into a circle—I’ll tolerate it if the rest
>>>>> of the dance is really exceptional, ehhhh.
>>>>>
>>>>> --
>>>>> Maia McCormick (she/her)
>>>>> 917.279.8194
>>>>>
>>>>>
>>>>> On Mon, Aug 5, 2024 at 10:31 PM Jeff Kaufman via Contra Callers <
>>>>> contracallers(a)lists.sharedweight.net> wrote:
>>>>>
>>>>>> Balance neighbor (4), swing partner (12)
>>>>>>
>>>>>> Ones dosido below while twos seesaw above (8).
>>>>>>
>>>>>> Long lines forward (4), swing on the side (8), long lines back
>>>>>> (4).
>>>>>>
>>>>>> Circle left 1x (6) pass through (2)
>>>>>>
>>>>>> Jeff
>>>>>>
>>>>>> On Mon, Aug 5, 2024 at 9:51 PM Tepfer, Seth via Contra Callers
<
>>>>>> contracallers(a)lists.sharedweight.net> wrote:
>>>>>>
>>>>>>>
>>>>>>> - A right chain INTO a swing
>>>>>>> - A swing into a circle right
>>>>>>> - Standard right shoulder hey into a swing
>>>>>>>
>>>>>>>
>>>>>>> Plenty other bad flow examples
>>>>>>>
>>>>>>>
>>>>>>> Seth Tepfer, MBA, CSM, PMP (he, him, his)
>>>>>>> Senior IT Manager, Emory Primate Center
>>>>>>> <Outlook-b31euhoh.png>
>>>>>>>
<https://outlook.office.com/bookwithme/user/fcd3f5d71da848759228584d1a49babd@emory.edu?anonymous&ep=signature>
Book
>>>>>>> time to meet with me
>>>>>>>
<https://outlook.office365.com/owa/calendar/SethTepfer@mscloud.emory.net/bookings/>
>>>>>>> ------------------------------
>>>>>>> *From:* Jonathan Sivier via Contra Callers <
>>>>>>> contracallers(a)lists.sharedweight.net>
>>>>>>> *Sent:* Monday, August 5, 2024 9:48 PM
>>>>>>> *To:* New Contra Callers List <
>>>>>>> contracallers(a)lists.sharedweight.net>
>>>>>>> *Subject:* [External] [Callers] Re: Choreographic No-Nos
>>>>>>>
>>>>>>> I don't agree with your list. Yes, swings on the first
half of
>>>>>>> a phrase are challenging and I might try to avoid them.
There are dances
>>>>>>> with this that generally work fine, especially if the caller
is aware of
>>>>>>> the potential issue and teaches and calls accordingly. The
do-si-do across
>>>>>>> can be a bit awkward in a crowded line, but only if everyone
is doing the
>>>>>>> do-si-do. If only the 1's or 2's are doing it then
there is no problem.
>>>>>>> Shadow swings seem to be a personal preference or dislike and
not really a
>>>>>>> choreographic issue. I actually think that a right chain
after a swing can
>>>>>>> work very well. If you end the swing with the pointy hands
pointing across
>>>>>>> then the right hands of the right hand dancers are right
there ready to
>>>>>>> pull by. I suppose you might say there is a momentum change,
but that can
>>>>>>> be very welcome in a dance where everything seems to be
traveling the same
>>>>>>> way. Not every dance has to have continuous motion in the
same direction
>>>>>>> all the time. I danced a dance with that set of figures just
last Friday
>>>>>>> and I was thinking to myself how well it seemed to work.
>>>>>>>
>>>>>>> So I see #1 and #3 as more of a challenge than a problem. #4
is
>>>>>>> a personal preference and #2 seems like a perfectly fine
transition between
>>>>>>> figures.
>>>>>>>
>>>>>>> Jonathan
>>>>>>>
>>>>>>> On 8/5/2024 7:37 PM, Michael Fuerst via Contra Callers
wrote:
>>>>>>> > I am accumulating a list of figures, or figure sequence
that
>>>>>>> significant dance writers (not necessarily a majority)
consider
>>>>>>> Choreographic No-Nos
>>>>>>> > My list so far:
>>>>>>> > 1. do-si-do across
>>>>>>> > 2. right chain after a swing
>>>>>>> > 3 short swings on an odd phrase
>>>>>>> > 4. Shadow swings
>>>>>>> > Does anyone have further suggestions?
>>>>>>>
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* Elizabeth Bloom Albert *
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