Hi Colin
Interesting question. I have similar questions looking at this from Australia. I have
started running workshops titled something like "Modern New England Contra
Dance". (This is not to alienate folk from other parts of the US, but most of my
exposure to contra has been in New England). Then I can focus on what the elements of such
a dance are, which is what makes the modern contra dance scene what it is.
Then there is the historical stuff, ie what led up to contra's current distinctive
style, without which the current dance style would not have evolved. And the innovation
(eg techno contra - see comments below about music), without which it will stagnate. But I
don't talk about this in a dance workshop - this is nerdy caller stuff.
Then there is the music. Is dancing to anything other than what I would call contra dance
music strictly contra dancing? We have related forms of music in Australia which have
evolved from the same roots, but have a different feel. I would argue that the pure New
England Contra style needs to be accompanied by pure contra dance music. A reel played in
Irish style can have a completely different feel to the same tune played in contra style.
I can hear the difference but can't currently describe it in words - something for
somebody's PhD I suspect. I think the package of the right dance and the right music
is incredibly important. And of course, there's the innovation ie techno contra.
I visit the US contra scene as often as possible, and can see and hear changes in the
style between visits. So it is constantly evolving. Eg on my first visit in 2003 a square
was often included in what I would call "an evening of contra dance" as distinct
from a "contra dance" (to get around the terminology of a contra dance referring
to both a whole program and a single dance). On my last visit I don't recall a single
square being included on a program. And the formations were almost exclusively duple
improper and becket.
As with anything in life, as soon as we try to classify something (especially something
that is evolving), the list of exceptions is usually longer than the list of inclusions.
Ask any taxonomist :-)
Long may the discussion and debate continue!
CheersJeanette
Jeanette Mill
Contra dance caller, musician, workshop facilitator
Canberra, Australia
Phone: +61 (0)449 686 077
Email: jeanette_mill(a)yahoo.com.au
Skype: jeanette.mill
"The piano - 88 little mistakes waiting to happen"Kate Barnes
On Thursday, 28 June 2018, 5:48:01 am AEST, Colin Hume via Callers
<callers(a)lists.sharedweight.net> wrote:
I'm in Germany, and I'm speaking for the next few days at a Conference run by the
European Callers and Teachers Association.
Several of my sessions are about Contras, and speaking to the Contra Coordinator as we
drove to the hotel I realised we had very
different ideas about what a contra is. I say it is an American (or American-style)
dance, longways duple or triple. He classes
three-couple dances (such as Ted's Triplets), four-couple dances and circles as
contras. He even classes my dance "Sting in the
Tail" as a contra. This is for two three-couple sets side-by-side and involves
siding into line, set and turn single. I would
regard this quite definitely as "Playford"-style, and I think Americans would
categorise it as English. But what is a contra? I
know the hot-shots would say that it's longways duple improper or Becket with a
partner swing and preferably a neighbor swing, but
is that your definition? What about an early American dance such as "The Young
Widow" - is that a contra? Can a dance in waltz
time be a contra? I think of a contra as mainly danced to reels or jigs, though I know
there are a few to slip-jigs. Within
reels I would include marches and American hornpipes, which are smooth, but not English
hornpipes which I would dance to a
step-hop. And not Strathspeys. I would say contras are done to a walking step, apart
from the swing which is often a buzz step.
But do you agree with me?
Answers fairly quickly please!
Colin Hume
Email colin(a)colinhume.com Web site
http://colinhume.com
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