Hi Tony,
I've never heard the term "double gyp", but I think I know which move you
mean... Google... oh! Try Zesty Contras... Wow! Yes, Larry defines it just as I thought
So not just ECD, contra as well. I call that move Interlocking Gypsies.
I'll try to think of a different term, if it even needs one.
Yes, you are quite right "ones split the twos" is a much better way of saying
it, of course, thanks. Strange how the brain works (or doesn't!); if it had been a
Square Dance I would have used Split without thinking,
I tried it with "#1s Arch" to get a weaving flow and the dancers didn't
like that. I tried it with "#2s Arch", but we had some very tall people trying
to get under short people's arches, so they didn't like that either. So I went
for "#1s Split #2s and they loved it. Isn't the folk process wonderful? 😊
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 & 07802 940 574
http://www.modernjive.com for Modern Jive Events & DVDs
http://www.contrafusion.co.uk for Dancing in Kent
-----Original Message-----
From: Tony Parkes [mailto:tony@hands4.com]
Sent: 06 May 2017 16:58
To: John Sweeney <john(a)modernjive.com>om>; callers
<callers(a)lists.sharedweight.net>
Subject: RE: [Callers] Two New Dances
John, two suggestions:
1. I'd find a term other than "double gypsy." As I understand it, a
"double gyp" in ECD involves two pairs of corners who each do a gypsy, the pairs
taking it in turns to approach the middle.
2. If the ones stay together, I wouldn't call it a "pass through," which has
an accepted definition; I'd say "ones split the twos." Note: In other dances
where a "balance the ring" precedes this kind of action, the author (sometimes
me) often specifies that the twos arch and the ones duck to the next. I like doing it that
way, partly for the greater connection, partly because it uses up the music better than a
simple "drop hands and walk through."
Cheers,
Tony
Tony Parkes
Billerica, Mass.
www.hands4.com
New book! Square Dance Calling: An Old Art for a New Century (to be published Summer
2017)
-----Original Message-----
From: Callers [mailto:callers-bounces@lists.sharedweight.net] On Behalf Of John Sweeney
via Callers
Sent: Saturday, May 6, 2017 8:18 AM
To: callers(a)lists.sharedweight.net
Subject: [Callers] Two New Dances
Hi All,
These two proved popular at Eastbourne International Folk Festival.
I would be interested in any comments on them, and on whether the Double Gypsy I have used
is common.
Rogue's March has the same first half as Devil's Dream, but without the awkward
hand change at the end of A2. The second half is different and, I believe, flows more
smoothly, and includes a Swing.
Rogue's March (by John Sweeney)
Contra; Improper
A1: #1s Face Down in the Middle; #2s Face Up on the Outside: Dance Forwards, Turn Alone,
Dance Back, Neighbour Handy Hand Allemande 1/2 - #2s now in the Middle
A2: Dance Forwards, Turn Alone, Dance Back, Neighbour Handy Hand Allemande
1/4 - #2s let go and face back in
B1: Double Gypsy: #1s Gypsy wide and separate into Neighbour Gypsy Meltdown
B2: Long Lines Go Forward & Back - Men Rolling the Ladies from Right to Left on the
way back
Balance the Ring; Pass Through - #1s Down the Middle - check out your New
Neighbours
Teaching Notes:
In A1 and A2 every dancer starts off heading the same direction each time.
In B1 the #1s start a Right Shoulder Gypsy with each other but as soon as they can see
their Neighbour they change it into a Gypsy with the Neighbour then melt down into a
Neighbour Swing. #1 Lady needs to go wide around #1 Man and avoid the temptation to weave
into a Left Shoulder Gypsy with her Neighbour.
The Pass Through is unusual in that the #1s stay together and go between the #2s. This
sets everyone up beside their New Neighbour and ready to start A1 again.
Happy dancing,
John