18 Jan
2012
18 Jan
'12
3:29 a.m.
Jim just wanted to let you know that I also called your dance to the
enjoyment of the audience. I started it at your B1 for an end-of-tune
progression (as Mark noted).
On Wed, Dec 28, 2011 at 6:09 PM, Mark Widmer <mark(a)harbormist.com> wrote:
Jim, your dance strikes me as a rather unique
combination of moves, and I
would be surprised if it had already been written. It looks like it has
nice flow, have you called it to live dancers yet?
Mark Widmer
p.s. I notice it could also start at B1 (as a duple improper dance that
progresses in the expected place), or at A2 (as a Becket dance that ends
with a partner swing).
On 12/28/2011 12:00 PM,
callers-request@sharedweight.**net<callers-request@sharedweight.net>wrote:
--
Luke Donforth
Luke.Donforth(a)gmail.com <Luke.Donev(a)gmail.com>
www.lukedonev.com
Date: Wed, 28 Dec 2011 07:31:08 -0600
From: Jim Hemphill<arcadian35(a)gmail.com>
To: callers(a)sharedweight.net
Subject: Re: [Callers] Groundhog Day
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I'm fairly new to Calling and fascinated with Contra dance choreography.
Below is my attempt at a Groundhog day dance. The groundhog starts his
day by looking for his shadow and so does this dance.
Groundhog Daze Becket
A1 Gypsy your shadow
Partner swing
A2 Circle left 3 places
Balance the circle, 1's make an arch, 2's dive thru
B1 Next neighbor balance and swing
B2 Long lines forward and back
Ladies allemande right 1/2, partner allemande left 3/4
I know there are thousands of dances out there so if this is not an
original, please let me know the true name.
Thanks, Jim Hemphill
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