I haven't actually had a chance to road test this (and my thanks, by the
way, to Bob Isaacs, who was his usual gracious and helpful self when I asked
him to look at it before I posted it). James is correct that the opposite
sex person one passes in stepping into the wave is the same person both
times. If I'm L1, my current neighbor -- M2 -- passes me by the right shoulder
and is facing the same direction as I face in the first wave. After the
swing, M2 is still across from me (with his shadow on his right). He passes
me again by the right shoulder and is facing the same direction in the
second wave as well. (So it's a little like the progression up and down the
line in Flapjack Express -- you travel away from your partner in parallel with
your current opposite sex neighbor, come back in parallel with that
neighbor, and each of you finds your respective partner for a swing.) I do think
(from a safety standpoint) that it's a good idea to keep the couples out
of the center of the set during the short swing -- we've all had the
experience of the joined-hands-swing-bonk, I assume -- and my "make the ladies
come to you" instruction really had that purpose in mind.
If anybody else calls this, I would love to know how it went. I wrote it
as a smooth "cool down" dance after something particularly vigorous -- hence
the name. I think reels would suit, with an absolutely identical and
slightly bouncy A1 and 2, and a very smooth B1-2? It would have a very different
feel with jigs, I think, but I hope to try it both ways.
April Blum
In a message dated 2/22/2013 12:00:46 P.M. Eastern Standard Time,
callers-request(a)sharedweight.net writes:
Today's Topics:
1. Re: Does this dance already exist? (Michael Barraclough)
2. Re: Does this dance already exist? (James Saxe)
----------------------------------------------------------------------
Message: 1
Date: Thu, 21 Feb 2013 12:42:41 -0500
From: Michael Barraclough <michael(a)michaelbarraclough.com>
To: Caller's discussion list <callers(a)sharedweight.net>
Subject: Re: [Callers] Does this dance already exist?
Message-ID: <1361468561.2881.9.camel@The-Beast>
Content-Type: text/plain; charset="UTF-8"
I called this in Baltimore last night (? world premier).
It is a good dance but it is ABSOLUTELY ESSENTIAL to ensure that the men
do not move from where they are in the swings in A1/A2. I taught it
emphasizing this and called it thus. However, as I reduced my calling,
so the men started moving. The result is that the positions move and
couples don't know who the opposite couple is with ultimate chaos as odd
couples get left out in the middle of the dance. I stopped the dance,
re-emphasized the need for the men to stay put and we were just fine
when they heeded the advice!
Michael Barraclough
www.michaelbarraclough.com
On Mon, 2013-02-18 at 17:10 -0500, Hgrastorf(a)aol.com wrote:
Wrote this one on my way back from calling Norfolk.
Slow M'Ocean Becket
A1 Pass thru to an Ocean Wave (Ps are facing in opposite directions).
Balance forward and back. Swing your SHADOW (who is facing you in the
next
wave). (Gents, make the ladies come to you.) End
facing across.
A2 Pass thru to an Ocean Wave. Balance F/B -- swing your Partner, who
is
facing you in the next wave. End facing your original
Ns.
B1 Ladies chain to your N. Ladies allemande R 1.5 (continue to hold Rt
hands)
B2 Ladies pick up your partner, star promenade across
with a butterfly
whirl (to the lady's side). Promenade across (to gent's side), with
ladies
passing RIGHT shoulders, and curl RIGHT to face the
next neighbor,
ready to
pass the Ocean.
I can't think of another dance that starts this way -- anybody?
April Blum
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-----------------------------
Message: 2
Date: Thu, 21 Feb 2013 18:23:30 -0800
From: James Saxe <jim.saxe(a)gmail.com>
To: Caller's discussion list <callers(a)sharedweight.net>
Subject: Re: [Callers] Does this dance already exist?
Message-ID: <FE997E49-8469-4AF6-8B6E-C0056CD488A9(a)gmail.com>
Content-Type: text/plain; charset=US-ASCII; format=flowed; delsp=yes
I've never called "Slow M'Ocean", but from diagramming it on paper it
seems to me that the A1/A2 should work perfectly well (and leave dancers back
in their original starting positions at the end of A2) if men and women
advance EQUALLY to get into the swings. In this case, the "Pass thru to an
Ocean Wave" actions in A2 will have everyone passing the same opposite-sex
neighbor as in A1 (but the same-sex neighbors will be different for both men
and women). In Michael's interpretation, if I understand it correctly, the
Ocean Waves have the same pairs of men in A2 as in A1. I suspect very s
trongly that my interpretation is the one the author (April Blum) intended,
but I invite her to speak for herself on the matter.
The progression in B2 where couples pass by W's R shoulder and loop R
(relative to out-facing direction, i.e., clockwise around a big oval) is rather
unusual and is the part that I'd expect to give the most difficulty.
--Jim______________________________________________
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End of Callers Digest, Vol 102, Issue 17
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