I agree that it is important for beginners to learn the traditional way to do a
figure in order to fully understand the dance and that some people prefer a
courtesy turn when it makes the dance flow nicely
However
Traditionalism can be overemphisized to the point of snobery. As has been
mentioned it is not our job to educate, but to entertain and dancers should
certainly not be discouraged from -- or, even worse, made to feel "looked down
upon" for -- dancing the way they find most fun. Let them twirl, let them
stomp, and as much as it pains me to say it, let them clap. They like it. I
like it. It's fun.
~Nathaniel Jack
Quoting Karen Fontana <karen_fontana(a)yahoo.com>om>:
  Hello Bev!
 I'm dancing in Denver-Boulder-Fort Collins this weekend, so only time for a
 short note -
 I echo some of David's comments.....
 How about focusing on the beauty of a coutesy turn, flowing nicely into a
 Left
 Hand Star? (one of my favorite combo of figures at the moment!).  I think so
 much is lost by twirling / getting twirled in those courtesy turns.
 I noticed last nite in Denver that there were MANY great courtesy turns which
 I
 loved!
 off my soap box, for now,
 Karen Fontana
 --- David Millstone <David.Millstone(a)valley.net> wrote:
  Bev outlined some excellent strategies for her
upcoming workshop, and asked
 for
 additional suggestions.
 As a challenge, how about calling a dance with traditional figures and 
 asking
  those present to dance it without embellishments?
Could be a contra corners
 dance (four counts for each turn, leaving no time for extra twirl before 
 the
  balance and swing. Could be something with right
and left over and back, 
 four
  counts to cross and four counts for a courtesy
turn-- yes, four for each,
 does
 make you slow down a little, rather than doing an extra twirl around simply
 because there's time to do it if you race through the figures. Could be
 somethng
 with ladies chain over and back and a pleasant courtesy turn on both sides.
 Could be a dance (older version of Petronella, say) where for nearly 3/4 of
 the
 dance the inactives are truly inactive and need to stay engaged while
 resisting
 the temptation to squeeze in extra swings.
 My point? One way the more experienced dancers befuddle the newcomers is by
 demontrating every possible embellishment, so that newer dancers don't have
 an
 opportunity to learn the basics. If all you see on down the center four in
 line
 is a California twirl, you don't learn the timing of a courtesy turn to
 return.
 If all you see for balance is Variation #27b with additional syncopated 
 foot
  stomps on the afterbeat, you don't learn a
simple pas-de-basque or 
 step-kick.
  If
 a swing inevitably ends with an extra twirl-the-lady-under, you don't learn
 to
 get your balance and your orientation for the ensuing ladies chain.
 In short, one way experienced dancers can best help new dancers is by 
 dancing
  better-- uh oh, there I said it!-- themselves.
 David Millstone
 _______________________________________________
 Callers mailing list
 Callers(a)sharedweight.net
 
http://www.sharedweight.net/mailman/listinfo/callers
 
 karen_fontana(a)yahoo.com
 H650-691-9663
 _______________________________________________
 Callers mailing list
 Callers(a)sharedweight.net
 
http://www.sharedweight.net/mailman/listinfo/callers