Re: [Callers] [trad-dance-callers] Re: April Fool

Hi All, Jeff Spero and I are calling the Brentwood (LA) dance together: I happen to be in LA this weekend for another calling gig; he wants to play a prank on his home dance community, so many months ago, we decided to share the evening... It's been fun to have someone to bounce ideas off of and create this together..... I've never called an April Fool's dance, and I'm glad to be part of creating one. And, I've never danced somewhere on April Fool's day when the caller or band did anything unusual or tricky.... I did see some comments last year around this time on trad-dance-callers. I started setting dances aside a few months ago and making notes.... Most of what I've thought about doing are things that are a bit unusual, that have some twist on what we're "used to" doing... Some ideas, not in any particular order: 1. "The Tease" by Tom Hinds, already mentioned 2. "B&B" by Robert Cromartie. When cpl waits out at the bottom or top of the set, wait out "the wrong way": w/ lady on the LEFT. 3. "Open Doors" by David Kaynor. ... it's got some unusual order of figures together: A2: Down 4, return, then B1: Long Lines ( ! ), rather the typical "circle left.." B2: LL F&B, then circle RIGHT ( ! ) , turn alone, face new N's .... You got to think a bit during this one, which I kind of like.... 4. A medley (ok, this I got from Robert Cromartie).... dance 1: no P swg, dance 2: no P swg; finally dance 3: includes P Swg! Something like that.... you could even do 3 with no P Swg, then P Swg.... --> I haven't picked out the dances for this yet..... Can anyone suggest simple no P swg dances that would do well in a medley? 5. Triple progression is a bit unusual: "Eleanor's Reel" by Bill Olson is a good one. Likewise, Bill Olson's "Scrod Pudding's Trip to the Mall" has a two-handed box the gnat rather than one-handed, again, just a different twist on common moves. "Weeks on the Road" by Bill Olson.... it's a backwards becket (which Gene Hubert pointed out to him...), to start, get in improper formation, women trade places. On side w P, but Gent is on the Rt..... (OK, so I just spent two wknds w/ Bill Olson and Ti'Acadie in California, can you tell??!!). 6. Similarly.... calling an "indecent" dance, where the two's cross over, instead of the one's crossing..... Jim Kitch's "Dancing the Winter Away", Joseph Pimentel's "Oh Geez!" 7. The "clap trap" type of dances where there is a figure after the Petronella-turn-to-the-right, making it (nearly) impossible to clap twice after the spin: "Princeton Petronellas" and "Cure for the Clap" (this one, don't say the name of the dance before calling it; say it afterwards; otherwise, they'll try to clap!) both by Bob Isaacs. "ContraQuad Reel" by Seth Tepfer. 8. "Bases Loaded" by Jim Saxe, Tom Thoreau and Lydee Schudder, offers an unusual pattern (a "diamond" type interaction in the A1, A2) 9. A friend mentioned: call a dance so that it doesn't progress! Actually, I did this once, by mistake! so I have one, should I decide to do this! ("Pigtown Petronella" by Cary Ravitz... yes, I got a dble progression dance to not progress at all! I can tell you how, for those that want to know!). The dancers were laughing and smiling, and I went up to a minor set and said "what's up"? A dancer answered "we really like our neighbors, and we're having a good time, but we haven't progressed!"... they were laughing hysterically.... 10. Jeff Spero had the idea that since we both have wireless mike's we could do some sort of "ventriloquist" thing..... one person could be up on stage "calling" (moving your lips), and the other calling it from the back of the room, or somewhere not visible to the dancers.... obviously, a male voice coming from a female caller (or vise verse) would be a bit unusual.... 11. I also suggested to Jeff that he could dress as me and I as him.... gee, didn't hear back on that one! I think he'd look great in one of my North Carolina "Nancy" dresses! 12. Any suggestions from musicians? on tricks the band could play? (NOT ON THE CALLER!!!! but working TOGETHER on a prank for the dance!!!!!!!!!!!!!!)..... ; ^ ) (no crooked tune surprises! .... ) Now, Bill Olson this past weekend in California called a dance to a 48 bar tune.... it worked well and the dancers seemed to like the different feel to it.... I do like the "hokey pokey" idea, having the band play that.... More ideas? Karen Fontana Northern California PS: .05 cents royalties for any ideas used..... just kidding!! ErikThor(a)aol.com wrote: Barb K writes: i was thinking about calling a medley of mecket dances - alternating ones that progress CW with ones that progress CCW... I write: This sounds like a challenge. Love to hear how it works out. Also, on a walk-through of a dance that ends with "circle left 3/4, pass thru," after having the dancers circle, but not pass thru, George Marshall has been heard to say something like: "If this were April 1, I'd leave you right there, but since it's not..." erik hoffman 510-444-4397 erik(a)erikhoffman.com -- erik, with a 'k' \\\\\///////\\\\\\\//////////\\\\\\\\\\//////////\\\\\\\/////\\\ There is no way to peace; Peace is the way. ~ A. J. Muste /////\\\\\\///////\\\\\\\///////////\\\\\\//\\\\\\/////\\/////// [Non-text portions of this message have been removed] The J. Appleseed Society E-Mail Discussion Lists to nurture the growth of participatory art and cultural activities. The Traditional Dance Callers List: For participatory dance callers, teachers, leaders and interested friends. Subscribe by sending a blank e-mail message (no subject, no message) to: trad-dance-callers-subscribe(a)yahoogroups.com SPONSORED LINKS Russian folk dance Traditional Dance Folk --------------------------------- YAHOO! GROUPS LINKS Visit your group "trad-dance-callers" on the web. To unsubscribe from this group, send an email to: trad-dance-callers-unsubscribe(a)yahoogroups.com Your use of Yahoo! Groups is subject to the Yahoo! Terms of Service. --------------------------------- <>:<>:<>:<>:<>:<>:<>:<>:<> Karen Fontana www.karenscontracorner.com karen_fontana(a)yahoo.com (H) 650-691-9663 <>:<>:<>:<>:<>:<>:<>:<>:<>