I'm a new caller but a long-time organizer and dancer. I do announce dance titles and
authors, as I feel it's important to let dancers know about the creative work that
goes in to making their fun evening happen. I don't dwell on it too long, just enough
to feed a tidbit of info about how what they're about to dance fits in to the larger
dance community. Imagine the new dancer who realizes "Harold and Barbara Sittin'
in a Tree" was written by a Charlotte caller for that couple sitting right over
there. And that "Petronella" was written much longer ago. It's part of my
own mission for our community dance to let the dancers feel a part of a community, not
just pay at the door for a good time. Helps them feel a bit more ownership in the fun of
the evening. I think there's room for many styles, depending on the nature of the
local dance community and the goals of the organizers.
Gretchen Caldwell
Charlotte, NC
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Sent: Tuesday, July 15, 2008 12:00:02 PM
Subject: Callers Digest, Vol 47, Issue 11
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Today's Topics:
1. Re: tic tac shoes / Dansneakers (Susan Pleck)
2. Re: Announcing Dance Names (Dan Pearl)
3. Re: Announcing Dance Names (Was: "Lost in Interstellar Haze")
(Michael Barraclough)
4. Re: Announcing Dance Names (Was: "Lost in Interstellar Haze")
(Chris Weiler)
----------------------------------------------------------------------
Message: 1
Date: Mon, 14 Jul 2008 16:49:39 -0700 (PDT)
From: Susan Pleck <spleck1(a)yahoo.com>
Subject: Re: [Callers] tic tac shoes / Dansneakers
To: Caller's discussion list <callers(a)sharedweight.net>
Message-ID: <224188.44154.qm(a)web83001.mail.mud.yahoo.com>
Content-Type: text/plain; charset=us-ascii
(Hello folks - I'm a beginning caller, happily lurking here of late...)
Though I haven't tried other styles, I'll second the recommendation for Capezio
Dansneakers. I finally just bought my first pair of dance shoes right before going to a
weeklong camp - brilliant plan for breaking them in, no? But they felt totally
comfortable as soon as I tried them on (granted, my feet are probably pretty
"normal"), and I came out of 8 nights in a row of exuberant dancing in them with
no problem. Also, I found that they offered enough but not too much traction (I don't
like or at least am not used to much slipperiness), and I could also put my weight back on
the heel if I chose in order to spin fast. Plus, not that expensive!
And while I'm certainly a comfort-over-fashion sort, I didn't think they were that
ugly. ;) Besides, aren't we all gazing into each other's eyes anyway?
Wishing joyful dancing and calling to all,
Susan Pleck
Oakland, CA
----- Original Message ----
From: Tina Fields <tfields8(a)yahoo.com>
To: "callers@ sharedweight.net" <callers(a)sharedweight.net>
Sent: Monday, July 14, 2008 2:50:54 PM
Subject: Re: [Callers] tic tac shoes
Hi folks -
Like a couple of you who've posted, I too have little
"tortilla feet" - short and wide, women's 6-1/2 D. I do
wear kids' shoes sometimes; that's excellent advice. But
the best shoes I've found for contradancing are Capezio's
Dansneakers. They are ugly to look at, but so comfortable
that I can dance one of those 12-hour events and still go
hiking the next day. I figure my late-night bounciness more
than makes up for the lack of glamour in the shoe
department.
Tina
Tina R. Fields, Ph.D.
(707) 824-9318
"Hindsight Now!"
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Message: 2
Date: Mon, 14 Jul 2008 17:03:01 -0700 (PDT)
From: Dan Pearl <daniel_pearl(a)yahoo.com>
Subject: Re: [Callers] Announcing Dance Names
To: callers(a)sharedweight.net
Message-ID: <660816.46991.qm(a)web65716.mail.ac4.yahoo.com>
Content-Type: text/plain; charset=iso-8859-1
I wholehearted agree with Susan Elberger, and with Greg a bit as well.
In general, at regular open dances I announce dance names and authors just before I begin
the walk-through. It is my acknowledgement, in lieu of a license fee, to the person whose
creativity I am taking advantage of by calling their dance.? I tend not to announce my own
name, as I feel uncomfortable even bragging a little bit.
At one night stands, I?do not announce names or composers because in that setting I want
to make every syllable count, and I want the music to start as soon as possible.??
So that's what I do.? Inconsistent? Yeah. Reasoned? Who knows...
Dan
------------------------------
Message: 3
Date: Tue, 15 Jul 2008 00:49:43 -0400
From: "Michael Barraclough" <michael(a)michaelbarraclough.com>
Subject: Re: [Callers] Announcing Dance Names (Was: "Lost in
Interstellar Haze")
To: "'Caller's discussion list'" <callers(a)sharedweight.net>
Message-ID: <005a01c8e636$3301af30$99050d90$@com>
Content-Type: text/plain; charset="us-ascii"
I was about to respond to Greg (see below) when I saw that Cathy and Dan had
said just what I would like to have said (but far more eloquently).
Michael Barraclough
http://www.michaelbarraclough.com
-----Original Message-----
From: callers-bounces(a)sharedweight.net
[mailto:callers-bounces@sharedweight.net] On Behalf Of Greg McKenzie
Sent: Monday, July 14, 2008 1:41 PM
To: Caller's discussion list
Subject: Re: [Callers] Announcing Dance Names (Was: "Lost in Interstellar
Haze")
Michael Barraclough wrote:
There is nothing wrong with change - sometimes it
improves what was
originally created. However I believe that it is good etiquette to
announce
the name of the dance and its author to the dancers
(before the
walkthrough,
after the walkthrough, when the dance ends - take your
pick, we could have
another discussion about which is best!) and to announce if you have
changed
the dance or to say that this dance is based on ....
I want to take this opportunity to present another view.
I think there are some good reasons not to announce the name of a
dance at all. This has become my own practice. One reason comes
from the idea that the caller will earn the attention of the dancers
by eliminating as much non-essential information as possible from
their comments. This is not easy. It involves careful construction
of the calls and precise walk-through instructions. It also involves
recruiting others to make announcements and eliminating anciallary
comments at the microphone. The effect is to train the dancers that
your voice always carries essential information. (The most essential
information is an instruction to physically move.) In contrast, any
non-essential information offers the dancers an opportunity to "tune
out" the caller's voice and engage in social interaction.
I consider the name and author of the dance to be non-essential
information. The caller has a limited amount of "currency" in
holding the dancer's attention. All non-essential information draws
down the caller's account. That does not mean one cannot tell
anecdotes or tell the name of a dance. It just means that callers
need to be careful how they use what currency they have. If you find
that you have difficulty earning or holding the attention of the
dancer's you might want to replay your tape of the evening and pay
attention to how much non-essential information you are giving
out. You might have over-drawn your account.
A contra dance caller needs to intersperse an evening of social
intercourse with times when the dancers need to pay careful attention
to the caller's voice. Making a courteous and seamless transition
between these two activities--without relying upon a loud PA
system--is the mark of an excellent contra dance caller.
Another reason not to tell the name of a dance is because it carries
the implied message that the name is important. Most newcomers are
likely to assume that this means that others in the hall already know
the dance. Some dancers may feel that they are less prepared because
they haven't learned this particular dance previously. This could
create unnecessary anxiety among some of the dancers in the
hall. Anxiety lowers self-confidence and will make the caller's job
more difficult. Not announcing the name puts everyone on more of an
equal status.
Perhaps we should consider alternatives to announcing the name and
author of every dance. One is to only announce the names of dances
if the name is meaningful or entertaining. A caller could also make
a list of the evening's program, with the names of the dance authors,
available to interested participants and announce this early in the evening.
I would be interested in what others think of this idea.
Regards,
Greg McKenzie
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------------------------------
Message: 4
Date: Tue, 15 Jul 2008 07:06:57 -0400
From: Chris Weiler <chris.weiler(a)weirdtable.org>
Subject: Re: [Callers] Announcing Dance Names (Was: "Lost in
Interstellar Haze")
To: Caller's discussion list <callers(a)sharedweight.net>
Message-ID: <487C84D1.7080104(a)weirdtable.org>
Content-Type: text/plain; charset=ISO-8859-1; format=flowed
I must agree with Susan on announcing dance names. My own technique is
to announce them after the walkthrough and before the music starts.
"come back to place and we'll dance ____ by ____". The beginners won't
think that they're being left out because they all have been taught the
dance, and in fact may be distracted by everyone starting to back up.
The ones who are interested and have attention to spare will hear. This
also lets the band know that we're ready for some music.
There are many ways for a caller to gain the attention of the dancers.
Scarcity of speech is one of them, but tone of voice and force of
personality do a lot more to making the evening fun. If just your tone
and style of speech can convey "I'm having fun, please join me" and
command attention and obedience as well, it really makes the evening fun
for the dancers. It's not easy, especially for someone like me who tends
to be shy, but it can be cultivated without sounding phony.
Chris Weiler
Goffstown, NH
------------------------------
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End of Callers Digest, Vol 47, Issue 11
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