Dear Karen,
I always try to have dancers identify their shadows before I begin teaching the dance. For
this particular dance, I believe that your shadow is actually right next to you once the
dancers are lined up in Becket formation (this is the only way that the roll away with
your shadow and swing your partner can work). So once the dancers are in Becket formation,
I would say something like this: "Your partner is next to you on one side; turn away
from your partner and find your shadow next to you in line." This helps folks with
orientation in the dance once there is the need to find the shadow. Plus, it helps out
those who have never been introduced to the term. I have also found that it helps me out a
lot, too! I make sure that I understand the dance well before I am ready to call it, and
know exactly where to locate shadows. I can also then verify that dancers are
"getting" the dance during the walk through.
Have fun on Friday! Cheers, Linda Leslie
A few weeks ago, there was some discussion about
Nils Fredland's dance: "Head
of the Bed" (see below).... I was about to call it a couple of wks ago, and
although I had memorized the dance (thanks, Tom H!)..., on the way driving to
the dance, I realized I wasn't sure when to introduce and identify the shadow
during the walk thru!
I remember dancing it, and I think I re-call the caller introducing the shadow
after the N Swg end of A1, which would be on the diagonal? And then, of course,
since it's Becket, the shadow can be introduced in the beginning: the same
person on the same side one beyond your partner ..... (help!)....
For those who have called it, how and when do you introduce the shadow during
your teaching? I hope to call it this Friday nite (Jan 6), so quick comments
appreciated.
Any additional teaching notes appreciated..... and also pls cfm I got the
dance right!
Thanks,
Karen Fontana
*****************
Head of the Bed by Nils Fredland
Becket Contra
A1 - Slide Left
Cir Left 3/4
N Swg
A2 - w/ N 1/2 Promenade
W Chain
B1 - 1/2 Hey, W start pass Rt Sh
Shadow Swing
B2 - LL F&B
Gents roll shadow away
P Swg
<>:<>:<>:<>:<>:<>:<>:<>:<>
Karen Fontana
www.karenscontracorner.com
karen_fontana(a)yahoo.com
(H) 650-691-9663
<>:<>:<>:<>:<>:<>:<>:<>:<>
------------------------------
Message: 4
Date: Tue, 3 Jan 2006 21:12:31 -0800 (PST)
From: Karen Fontana <karen_fontana(a)yahoo.com>
Subject: [Callers] Winter or New Year's themes
To: Callers Shared Weight <callers(a)sharedweight.net>
Message-ID: <20060104051231.85983.qmail(a)web30014.mail.mud.yahoo.com>
Content-Type: text/plain; charset=iso-8859-1
Hi Again,
I'm calling two dances this weekend. Friday nite is an "Beginner -
Intermediate" crowd. Saturday "Beginner".
Anyone have any suggestions for some good dances with New Year's or Winter
themes? Here's a list Jeremy Korr and I already brainstormed:
- "Dancing the Winter Away", Jim Kitch
- "Winter Wedding" Steve Zakon - Anderson
- "MY-NY Happy Returns" Carol Ormand
- "Snow Dance" Gene Hubert
So, all of you who called or danced to New Year's dances, anything stand out
worth mentioning?
thanks,
Karen Fontana
<>:<>:<>:<>:<>:<>:<>:<>:<>
Karen Fontana
www.karenscontracorner.com
karen_fontana(a)yahoo.com
(H) 650-691-9663
<>:<>:<>:<>:<>:<>:<>:<>:<>
------------------------------
Message: 5
Date: Wed, 04 Jan 2006 06:17:01 -0500
From: Chris Weiler <chris.weiler(a)weirdtable.org>
Subject: Re: [Callers] Head of the Bed - Revisited
To: Callers Shared Weight <callers(a)sharedweight.net>
Message-ID: <43BBAEAD.6050200(a)weirdtable.org>
Content-Type: text/plain; charset=ISO-8859-1; format=flowed
Hi Karen,
Some time ago, I contacted Nils about this dance (because I had
collected it without the title). You have the dance right, although when
I did it the A2 was a R&L thru instead of a 1/2 promenade. Nils says
that he calls it both ways, but that the swing to promenade transition
is a favorite of his.
As far as where their shadow is, here's how I think of it: If you
reverse the last move of the dance, the roll away, their shadow is next
to them both before and after. This is the way that Peter Amidon taught
it and I copied him: "Bow to your partner, bow to your neighbor across
the set, bow to your shadow next to you on the side of the set." It sets
up a nice continuous rotation and identifies the three people you are
going to interact with during the walk-thru.
Chris
P.S. Hope to see people at Ralph Page in a couple of weeks!
Karen Fontana wrote:
Hi folks,
A few weeks ago, there was some discussion about Nils Fredland's dance: "Head
of the Bed" (see below).... I was about to call it a couple of wks ago, and
although I had memorized the dance (thanks, Tom H!)..., on the way driving to
the dance, I realized I wasn't sure when to introduce and identify the shadow
during the walk thru!
I remember dancing it, and I think I re-call the caller introducing the
shadow
after the N Swg end of A1, which would be on the diagonal? And then, of
course, since it's Becket, the shadow can be introduced in the beginning: the
same person on the same side one beyond your partner ..... (help!)....
For those who have called it, how and when do you introduce the shadow during
your teaching? I hope to call it this Friday nite (Jan 6), so quick comments
appreciated.
Any additional teaching notes appreciated..... and also pls cfm I got the
dance
right!
Thanks,
Karen Fontana
*****************
Head of the Bed by Nils Fredland
Becket Contra
A1 - Slide Left
Cir Left 3/4
N Swg
A2 - w/ N 1/2 Promenade
W Chain
B1 - 1/2 Hey, W start pass Rt Sh
Shadow Swing
B2 - LL F&B
Gents roll shadow away
P Swg
<>:<>:<>:<>:<>:<>:<>:<>:<>
Karen Fontana
www.karenscontracorner.com
karen_fontana(a)yahoo.com
(H) 650-691-9663
<>:<>:<>:<>:<>:<>:<>:<>:<>
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End of Callers Digest, Vol 17, Issue 2
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