Is it a coincidence that the move to more swings and the disappearance of
contra corners happened simultaneously? Did we replace the energy of
corners with that of swings? While I find swinging more fun than corners
for a single instance, doing just one or the other isn't as good as doing
both in an evening. Of course, swings often follow corners, and that's
really great! I'm sure this list debated bringing back corners long before
I joined, but let's!
And...Chorus Jig! A whole line of us once secretly agreed to dance Chorus
Jig instead of the surely-exciting dance Steve Z-A had painstakingly walked
us through. It was a riot! It used to be that you could depend on
everyone knowing that one dance by heart. Just, use short lines...
Lisa Sievert wrote:
I’d like to see new COVID-aware choreography with
fewer swings. If
swinging is perhaps the most dangerous thing we do while dancing,
I’d like
to see some new dances that emphasize partner swings and de-emphasize
neighbor swings, and at least some dances without any swings.
Without diminishing the very interesting thread that this has developed
into on the merits of dance enjoyment, and acknowledging the innovative
thinking that reducing exposure by choice of dance represents, has there
been any scientific evidence that indicates a significant improvement in
risk with different choreography? Dropping from, say, 20x the viral load
needed for exposure to 16x is still very exposed and no practical change in
risk. Dropping from 1.5x to 0.5x is a big improvement in risk. I'm
curious if anyone has seen research reports assessing this kind of risk
management, even in other activities. (Let's not debate opinions without
data, please!)
--jh--
On Wed, Nov 23, 2022 at 10:20 PM Chris Page via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
On Wed, Nov 23, 2022 at 11:24 AM John Sweeney via
Contra Callers
<contracallers(a)lists.sharedweight.net> wrote:
Hi Lisa,
"The idea that dances without swings open up 32 beats of
opportunity
for new choreography" is not new! As Tony says, look at the
classics - try Cracking Chestnuts:
https://www.cdss.org/programs/cdss-news-publications/cdss-online-library/cr…
And yet most of those standards have the same B1 of ones lead down,
come back, cast off, and a B2 of a full right and left through (or
possibly a full chain for the few new-fangled improper dances).
Sometimes I wonder if having a section where the dancers can go on
autopliot is a good thing. It certainly cuts down on the new figure
sequences that need remembering.
Cheers,
-Chris Page
Los Angeles, CA
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