On the medley,For success, it helps if A1 of both dances has same
orientation, eg, N: Bal and Sw in one dance and N: DSD in the other. I ask
the band to wait for me to signal the change, and new dance begins with new
tune.
Enjoy it!
Gary
On Wed, Apr 30, 2008 at 3:52 PM, PARKER MANN <M_P_Mann(a)shaw.ca> wrote:
All-
Over the last few weeks I 've come across some questions related to
calling and I though I'd combine a couple in one note rather than inflict
two messages on everyone. Comments on either or both are appreciated.
1. I have run into the following mixer dance and I'm not sure how best to
call it. I don't know the name and author or I'd ask him/her. The problem
is that no beat counts or A1-A2-B1-B2 divisions were given.
The formation is a wavy circle with gents facing in, ladies facing out,
partners by the right. The moves are:
Balance the wave R/L
Allemande R half way and reform the wavy circle
Balance the wave L/R
Allemande L half way and reform the wavy circle
Balance the wave R/L
Allemande R 1x
Allemande L 1 1/2 times
Partners balance and swing
Promenade around the circle
Partners drop R hands and reform the circle. Old partner is in left hand,
new partner in right.
The problem is I can't make the timing look right. The first five moves
look to all be four beat moves, but then there are 12 beats left for the
allemande R 1x and allemande L 1 1/2. If not, moves are falling across the
phrase.
Has anyone tried this dance or know anything about it? I'm thinking that
drop the third balancing of the wave would work best, but that means a half
allemande, full allemande, and 1 1/2 allemande consecutively.
2. I'm at the point where I want to try calling a dance medley. Any
thoughts on good combinations to start with? What coordination do you do
with the band ahead of time?
Thanks.
-Parker
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