I've given this some thought. I've been a dancer in this situation, and
heard other organizers ask this question.
I don't like the idea of asking someone to leave. I do think this is
antithetical to my values as a dance organizer.
I don't like the idea of gatekeeping and presuming I know how well a person
may succeed not - especially since contra is a team sport.
I also want to raise the idea of economic injustice - many folks carpool,
or, in NYC it may be a pain to get to a location - even by mass transit a
new person could really need the help of a friend. Especially if it's a
person from out of town; having lived in and around NYC for a decade, it
can be _daunting_. So I can totally see some experienced dancers wanting to
bring a friend, and having them come later is not an option. Forcing them
to come later may be easier for folks with financial means, which is why
I'm saying this may touch on an issue of economic justice and privilege.
An alternative I might have - and, totally with the benefit of hindsight
and reflection:
I think if I'm in this situation in the future, I will do the following:
1. Caution the dancer of the expected skill level.
2. Offer them to sit and enjoy the music for free / donation instead of
required entry fee.
3. Recommend that if they're set on trying it out, to do so, but if they're
not getting it, come hang out and stay, with fee refunded. (Like a
satisfaction guarantee.)
Ideally, if they do stay and sit, some dancers will need breaks and sit
with them and make them feel welcome.
In dance,
Julian Blechner
On Sun, Apr 16, 2023, 9:50 PM Maia McCormick via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
I attended an advanced dance this afternoon that was
intermediate at best,
and had a few raw beginners in there, and it got me wondering:
1. As callers, what do you do when a bunch of intermediate and/or beginner
dancers show up to an advanced session?
2. As organizers, what do you do to try and keep your advanced sessions...
advanced? (Either in messaging or at the dance itself?) Obviously I'm not
advocating for kicking anyone out, but if a bunch of newbies show up at an
advanced session, both they and the dancers who came for gnarly stuff are
going to have a less-than-ideal time.
3. As dancers (/organizers/callers), how do we elevate the dance level of
our local communities? I'm talking about increasing familiarity with some
of the less common moves (contracorners, left hand chains, etc.) but also
about building awareness of the dance and recovery skills, and technical
things like giving satisfying weight, swinging correctly, guiding linemates
into the next figure, etc.
I welcome any thoughts and musings!
Cheers,
Maia (Brooklyn, NY)
--
Maia McCormick (she/her)
917.279.8194
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