6 Sep
2010
6 Sep
'10
6:21 a.m.
I 'm planning on calling a couple of dances this weekend where there is interaction
with couples outside the usual minor sets. One of them is Dan pearl's composition
"Cal and Irene." My concern is what happens at the top and bottom of the
lines.
What recommendations do you have to prepare dancers for end effects when they are not used
to anything more than "cross over and wait?"
Thanks.
Parker