Chris Page wrote:
I'm curious -- how do you handle requests?
That is, at an event when a dancer or an organizer comes up to the
stage and asks you to do a particular dance or type of dance?
This is fairly rare. It depends on a lot of things. I seldom alter my
program beyond alternatives I have already chosen to adjust for the type of
crowd. Here are some things I would consider:
- I like to encourage feedback whenever possible so I try to be
enthusiastic about hearing the person's concern or request. I do, however,
try to interpret the feedback because most people are not clear on what it
is, exactly, that they want or need and may not know how to express it. A
request for a particular dance, for example, might be an expression of a
desire for more variety, a need for simpler dances, a need for more clear
and concise calling, or simply a need to feel that they have a connection
with the caller and/or an influence in the community.
- If there is time I try to probe for more information to find out what the
real concern is. Perhaps they are an aspiring caller looking to open a
dialog with an experienced caller, for example. Perhaps they would like to
be invited to call a slot at the current or a future dance.
- I try to follow-up by asking if they have any other concerns about what
is happening at the dance that evening. This person is willing to engage
and give you feedback. That is a valuable thing and I would try to "pick
their brain" for any other ways I might improve my calling.
- I would definitely get their name and introduce myself. I would try to
write down their name and ask the manager or another organizer about them
later. You might learn something of value. For example, you might find
out that it would *not *be a good idea to invite them to call a dance slot.
- Greg McKenzie