Wow Lindsey! this is extremely well thought out, articulated and verrrrryyy
helpful! As a very fledgling caller I had formulated these questions that
you have so graciously answered without my having to ask.  Thank you.  A
lot of good help here, I am printing them off to put into my tips and
training notes!
Every one has wonderful helpful ideas and tips too!  Thank  you to all the
callers that participate here!
Mary
On Fri, Oct 2, 2015 at 2:15 PM, Lindsey Dono via Callers <
callers(a)lists.sharedweight.net> wrote:
  Hi Maia,
 I agree with everything Jack and Dave wrote! Successful rolling starts
 have comprised some of my most memorable dancing moments, so I'm always
 seeking opportunities to work on them as a caller. Some more thoughts:
 -Preplanned vs spontaneous rolling starts. When I decided to start working
 on rolling starts, I preplanned with a band that I knew loved them. We
 discussed: timing, signaling, what to do if things failed to sync or fell
 apart. To my total delight, both rolling starts worked. My next rolling
 start was a surprise to me- the band just jumped in behind me! Some bands
 can and love to do this. Some callers love this, others don't. I've stopped
 bands from vamping behind me if I knew I had a lot of explaining to do.
 -Working with a band comfortable with rolling starts and comfortable with
 you. I've only tried rolling starts with well-established bands; I've never
 taught a band how to do a rolling start (trying to work on this now,
 actually). Consider first exploring them with bands that you've seen
 execute rolling starts. These bands often have a caller in them (ie Dave).
 Several musicians I've asked have expressed a dislike of rolling starts, so
 don't take it personally if you're turned down. Also, there are several
 style of rolling starts, so make sure that you and the band define what
 you're aiming for.
 -Picking the right dance. If it's easy enough to call as a no walkthrough,
 why bother with a rolling start? Conversely, if it's complicated enough to
 deserve two full walkthroughs with complete attention, probably not a great
 choice either. I look for a dance that has a clear A1 (for the called
 potatoes, as Jack suggests, and for clueing the band in), and just one or
 two "teaching points." This teaching point depends on the crowd; it could
 be something such as a left diagonal move or a fractional hey. This allows
 me to start the walkthrough in dance time, with, say, a neighbor balance
 and swing, pause the action while dancers identify their left diagonal next
 neighbors, and then resume the walkthrough at dance pace. If needed, I'll
 wait an extra eight beats for people to complete moves on the first
 walkthrough. Once the dance is "rolling" at dance tempo, you'll need to
 make sure that you and the band are synced. This very much depends on the
 band:
 -Signaling. There are lots of options here; find out what your band likes.
 What I've done in the past: I tell them what my B2/A1 moves are, line
 dancers up, and let the band start vamping. Once there is an established
 groove, I focus on the dancers and face away from the band vamping behind
 me. Then, when approaching the A1 at "go time," I turn to the band (making
 sure I have my mic in my hand, not on the stand- may have forgotten that
 once!), make eye contact, and with deliberation, bounce on the potatoes
 while delivering the vocal potatoes to the dancers. Also, a common signal
 is to tap the top of your head at the A1. Explore this with your band- lots
 of options! When bands just start vamping behind me, this ignore until I'm
 ready trick seems to work as well.
 -Troubleshooting. Things go wrong! I try to hold myself responsible for
 any hiccups, regardless of whether or not the error was *really* my fault.
 Easiest fix: stop the band, reset people up for potatoes. Other
 caller-initiated fixes for syncing: tell the band where A1 needs to be, ask
 them to play an additional B part, have dancers swing an extra eight beats,
 cut a long line one time through, etc. Fundamentally, fixing a rolling
 start error is no different than fixing any timing error made while
 calling. My worst error was when I found myself eight beats off from the
 band; they "launched" after I expected. Amazingly, my band figured this out
 and fixed it before I had the chance to panic! Musicians are amazing. :)
 Like any caller error, handling the situation with poise, grace, and humor
 will placate most of the grumbles.
 I'm sure I'll think of more I forgot to write, but I hope some of this
 rambling is helpful!
 Lindsey
 ------------------------------
 *From:* Jack Mitchell via Callers <callers(a)lists.sharedweight.net>
 *To:* Dave Casserly <david.j.casserly(a)gmail.com>om>; Maia McCormick <
 maia.mcc(a)gmail.com>
 *Cc:* "callers(a)lists.sharedweight.net" <callers(a)lists.sharedweight.net>
 *Sent:* Friday, October 2, 2015 9:11 AM
 *Subject:* Re: [Callers] Rolling Starts?
 If the band can play a repeated 8 count chord progression from which they
 can easily go into the top of the tune, it gives you a phrase to call to,
 but if you need to slow down, or fix something, you have that option too --
 then you can just get yourself back on the phrase.  Other than the fact
 that I flubbed the first call of the dance, I am pretty happy with the one
 in this video of me with Atlantic Crossing.  It wasn't a planned thing (and
 planning is definitely a good idea the first time you do it.  In
 particular, planning how you will cue the band in, whether you want them to
 actually do potatoes, or just use your first call (WITH your NEIGHbor
 BALance NOW, with some good punch) as the potatoes.)
 
https://www.youtube.com/watch?v=lq1tKJb7z-Q
 At it's best, it gives you a chance to do two walk thrus if needed,
 without the dancers feeling like you're doing too much teaching.  The first
 time, you can be teaching completely off the phrase, or the band can sneak
 in halfway through the first time.  Then the second time, you move to being
 more on the phrase.  Once you're on the phrase, you have effectively agreed
 with the band on a tempo and can stick with that as you move into the
 dance, so there's really not a need for actual potatoes.  As long as you
 have your sign worked out with the band (beating the last 4 beats with your
 hand, calling with some punch for the first call, patting the top of your
 head (to indicate that you're coming up on the top of the dance) or
 whatever.)  Please note, that if you don't have things worked out with the
 band, it can be pretty messy and awkward.  Rather similar to the first time
 I tried to do one -- the band just started playing a bit under the walk
 through and I had no clue of how to cue them in!
 J
 On Fri, Oct 2, 2015 at 12:01 PM Dave Casserly via Callers <
 callers(a)lists.sharedweight.net> wrote:
 I also like rolling starts.  One of my bands has a few sets where we
 greatly prefer it, and try to work with callers to make it happen.
 What has worked well for me in the past is having a tune where the start
 of the dance can happen every two bars or so (in other words, a tune that
 is not harmonically complicated).  Making walkthrough prompts in time with
 the music, but not giving a particular set amount of time to each call
 seems to work well.  Dances that end with a move that can be extended
 (allemande, swing, etc) can help sync if you need that extra beat or two.
 I've found that rolling starts work well with a dance that starts with a
 balance, as that can make it very clear where the dance starts.  Otherwise,
 asking the band for four soft potatoes at the end of the rolling start can
 be helpful.
 Hope that helps!
 -Dave
 On Fri, Oct 2, 2015 at 11:53 AM, Maia McCormick via Callers <
 callers(a)lists.sharedweight.net> wrote:
 I think that rolling starts (seamless transition from walkthrough into the
 dance, as the band just starts playing music during the walkthrough) are
 super neat if done properly! But I'm still not quite sure how to do them
 properly. So I ask you all:
 1) tips on how to execute a rolling start well, making sure all the
 dancers are on board etc.?
 2) thoughts on what dances/tunes will/won't work well with a rolling start?
 Cheers,
 Maia
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