I'm coming in a little late to this, but:
Another vote in favor of Delphiniums and Daisies -- along
with Butter (a becket dance by Gene Hubert) it's my favorite
basic hey dance. I've also found The Carousel to be nice for
those purposes. Two that I haven't yet seen mentioned are:
Flirtation Reel
Improper
Tony Parkes
A1 Down the hall in a line of four, turn alone, return,
face your neighbor
A2 Hey
B1 Balance and swing your neighbor
B2 Long lines forward and back
Ones swing
Centrifugal Hey
Improper
Gene Hubert
A1 Neighbor allemande right 1 & 1/2
Men allemande left 1 & 1/2
A2 Hey
B1 (Balance) and swing partner
B2 Right and left through
Circle left 3/4
Pass through
(The timing on Centrifugal Hey is a bit tighter than the others,
the timing on Flirtation Reel is a bit kinder.)
A question I'd like to explore is what are the ideal
characteristics of a dance to teach a hey. My early
working guesses are:
-Exactly one full hey, as opposed to half a hey, or a hey
and a quarter.
-Ending with a full sixteen count something and swing, giving
people eight seconds of slack to find your partner/neigbhor.
-Having the previous figures walk the path of the hey, like
the allemandes in The Carousel or Centrifugal Hey; or the
ladies chain beforehand.
-Recovery time somewhere else, and having the rest of the
dance be simple and have a strong story-line, so newcomers
need only panic over the hey.
Thoughts?
-Chris Page
page(a)mail.sas.upenn.edu
San Diego