David,
Do you know whether the directions for "Manhattan Chowder", as originally
published in the 1980s, suggested that the active dancers to maintain eye contact during
the figure under discussion? I don't have a guess one way or the other and I
wouldn't want to make assumptions based on evidenceE such as videos of the dance made
after the current contra dance interpretation of the words "Mad Robin" became
popular.
By the way, I can recall learning to do the English country dance "Mad Robin" in
a style where the "casting" dancers did briefly turn away from their partners,
but where they looked over their shoulders to maintain eye contact until the last possible
moment before turning away and then quickly re-established it. I can imagine someone
describing such a styling with words about eye contact that might be easily be
misinterpreted as suggesting that dancers face directly across the set towards their
partners throughout the figure. Assuming Beverly Francis indeed intended the latter
interpretation of the action, verbatim quotation of her original dance instructions would
provide more compelling evidence than a modern paraphrasing.
--Jim
On Jun 29, 2023, at 5:06 AM, David Smukler via Contra
Callers <contracallers(a)lists.sharedweight.net> wrote:
The ACDOL database gives the date of Saint Paddy's Day as Oct 14, 1982. According to
Philippe Callens' book Both Sides of the Atlantic, Beverly Francis's dance
Manhattan Chowder was written earlier - in 1981. The figure, as described by Philippe, is
more like in the eponymous English country dance, in that only one couple is moving.
However, I've also seen this dance called with the double Mad Robin figure that is
more common in contra dances nowadays.
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