I basically agree with Neal. I would not want to replace gents and
ladies with other arbitrary terms. For many of the same reasons.
Woody
--
Woody Lane
Caller, Percussive Dancer
Roseburg, Oregon
http://www.woodylanecaller.com
home: 541-440-1926 cell: 541-556-0054
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On 2/13/2017 2:51 PM, Neal Schlein via Callers wrote:
I do not want to replace gent and lady as terms, based
on my own
experience.
Some context: I've been dancing for between 29 and 37 years, depending
on how you count--my parents met at a square dance and I grew up
dancing. I started calling about 18 years ago, and dance/call ECD,
Scottish, squares, contra, ballroom, and folk styles at varying levels
of proficiency. Seeing a man dancing the lady's role, or a woman
dancing the gent's role, has never, ever phased me. It's fun to swap,
requires technical skill, speaks well of a dancer who can do it well
stylistically, and sometimes is necessary to fill out a set. It is
also an important skill for any caller, and one callers need to know
how to handle when it happens in special situations; the callers I
grew up with talked about when they first encountered gay or
one-gender crowds in the 60s and how they struggled to adjust on the fly.
That said, I first encountered "gender-free" dancing at a Heather and
Rose (?) ECD dance outside of Eugene, Oregon about 15 years ago. I
didn't know what I was walking into, and thought it was a normal ECD
event until they lined up and started teaching.
They used several dances I was familiar with; I had been teaching some
older ECD dances for a graduate folklore class and recently returned
from Berea's Christmas Country Dance School. Aside from momentary
confusion, adapting to the unfamiliar terminology and random line-up
was not a problem for me.
What I couldn't adapt to was how being made "gender free" changed the
character of the dances I knew. They became less elegant, less
interesting, and were lessened overall. Switching between an A and a B
position meant nothing aside from (possibly) a slightly different
floor pattern. Proper and improper had no relevance. There was no
stylistic mastery needed to switch dance sides because any clue as to
historically demanded or intended stylistic differences had been
stripped out--there weren't even ROLES anymore, merely positions;
there was nothing to hold onto even as a guideline for playacting.
The dances completely lost their flavor and character. They became
like Caffeine Free Diet Crystal Coke. (I mean, honestly...WHY WAS THAT
EVER MADE? Just drink water!)
Other folks may certainly disagree with me, and I have followed and
agree with the many counterpoints, but I personally believe that the
terms "gentlemen" and "ladies" (and their derivatives) positively
influence how people behave and relate, and definitely how a dance is
done. I don't worry about that at special or family events, of
course; I just want everyone to get up and have a good time. But
encouraging folks to learn both roles to become better dancers is only
meaningful if there is a meaningful difference between the roles.
I am a happily married man and prefer to dance with women as partners
and corners. I don't mind dancing with men, but that's not what I go
to dances for; if I wanted to get close to a bunch of sweaty guys, I'd
play football. If we're honest, we can admit that the vast majority
of our general dancers (both new and old) are probably similar. So
why not let the dance reflect that? That's more likely to win friends
than taking a wonderful dance with character and making it into
"gender free diet crystal contra."
Just my 2 cents.
Neal
Neal Schlein
Youth Services Librarian, Mahomet Public Library