Hello All,
I was considering adding some of the Chestnuts to my calling repertoire, and
I was wondering if I could get your best advice on approaching triple minor
dances in the Midwest (Lawrence Kansas). I believe most of the contra
dancers here have never seen such a critter, although a very few will have
seen it at an English Country dance.
I was considering calling a triplet or a duple minor dance with contra
corners in the first half to make sure everyone was comfortable with that
figure, and then calling "Sackett's Harbor" in the second half, which turns
the minor set 90 degrees (or 270 degrees, to be technical) so all the men
are all facing the stage and the women are facing down.
I want to lay out the rules of triplets very succinctly: Ones remain ones
all the way down the hall, while the twos become threes and then twos again
as they progress up. Threes also alternate roles, becoming twos and then
threes again. At the top, the first couple out waits out two iterations of
the dance before becoming ones. At the bottom, the threes must trade places
with the ones or they will remain out indefinitely.
Are these rules accurate as stated?
Any suggestions from New England? Elsewhere in the Midwest? Points beyond?
--Jerome
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Jerome Grisanti
660-528-0858
660-528-0714
http://www.jeromegrisanti.com