I think that it depends on the musicians. Some bands I've worked with
don't have the slightest idea when you request a certain type of tune.
Others are tuned in to what the dancers need (they even dance!!!). You
could ask for a traditional flavor like French Canadian, old time, New
England etc. Adjectives that are typically used include flowing, marchy,
bouncy and driving. So, you might want to request a flowing tune for a
dance that has a hey in it. But does it get to be the
'same old thing' to always dance heys to flowing music? Don't be afraid
to be different from what everyone else does in your area. Dances with
many balances like Summer of 84 by Gene Hubbert and Four, forty four,
forty four by Steve Zaken work well with jigs (but they work fine with
reels). It will help the musicians to tell them where the balances are.
I think that the majority of these kinds of contras start with a balance
(2 measures), then two measures of some movement followed by a balance.
Less frequent are the dances where the dancers do something for 2 measures
and then balance. It makes a difference depending on the tune. Remember
that musicians usually talk in measures whereas we usually talk about
beats. The typical tune has 64 beats or 32 measures.
At our dance festival last weekend we danced a flirty type contra to a
march (or maybe a slow reel with a marchy feel). It was magical and a
nice change of pace form the regular reels and jigs. I wouldn't have
thought of doing that. On occasion, I have heard Steve Hickman play a set
of polkas for a contra and it really worked. Be careful of Irish bands.
I don't know about Irish bands in your area, but here in Virginia they
play the jigs way too fast, about 140 beats per minute. I prefer the
tunes to be around 120 or a tad slower depending on energy and skill level
of the dancers, type of dance, condition of floor, and temperature.
If your dancers are not dancing to the phrase well, you could ask the band
to use a tune that is well phrased.
Also, some musicians can pick the right tune just by looking at your card.
Tom
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Today's Topics:
1. Re: Callers Digest, Vol 2, Issue 12 (Jenna Watson)
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Message: 1
Date: Wed, 27 Oct 2004 04:50:21 -0400
From: Jenna Watson <watsonj75(a)earthlink.net>
Subject: [Callers] Re: Callers Digest, Vol 2, Issue 12
To: callers(a)sharedweight.net
Message-ID: <3C63CC20-27F5-11D9-BAC4-0050E4797B04(a)earthlink.net>
Content-Type: text/plain; charset=US-ASCII; format=flowed
Can anyone tell me more about how to match the dances you have chosen
to the music being played? How do you tell the band what you want?
Other than Jig, reel, and so on? Does the band want to know when there
is balances in a particular dance? Do they need to know other
significant moves as well?
PS. I think in response to Linda, I have the confidence that I will get
there someday. Considering that I work with children five days a week.
I am pretty good at getting their full attention. (Ages anywhere from
4- 10) I look forward to chatting with you the next time I see you! :)
Cheers
Jenna
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End of Callers Digest, Vol 2, Issue 13
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