What Louise Siddons said. I couldn't agree more.
Most AI is bad for the
 planet, and bad for its people.
 And Diane's comment about engaging with the material is so important, too.
 No offense, Rick. Love your calling and your dances.  But save the planet
 and just re-type the damn things, okay?
 Keith Tuxhorn
 Springfield IL
 On Mon, Jan 13, 2025 at 1:12 PM Julian Blechner via Contra Callers <
 contracallers(a)lists.sharedweight.net> wrote:
  I find the most important parts on my dance cards
are less the moves, and
 more the liner notes, that is:
 - beats of music
 - when it's not obvious, which role is facing in which direction (wavy
 lines, etc)
 - key figures I write in the top-right of my card so I can see them
 quickly
 - the color coding of my card
 None of these things are standard, and different callers have different
 ways not just of writing them, but understanding them.
 So, a standard contra format doesn't even seem like something that's
 _possible_, let alone "AI" decipherable.
 I also noticed the AI didn't understand "3/4" is the same as
 "three-quarters".
 So ... it's an interesting experiment, Rick, similar to the experiment of
 having "AI" write a contra.
 But, the experiment is so much less about results for choreographers, and
 much more about seeing where "AI" tech is, and isn't.
 In dance,
 Julian Blechner
 Western Mass, USA
 On Mon, Jan 13, 2025 at 1:32 PM Diane Silver via Contra Callers <
 contracallers(a)lists.sharedweight.net> wrote:
  Any teacher will tell you that engaging with the
material leads to
 mastery. It's why authentic, problem-based learning is considered better
 than book-learning, and it's also why, at the very least, you were assigned
 study guides or outlines or such when you were in school -- forcing you to
 re-write info from the textbook, rather than just reading it.
 Most of my collection is dances I collected by dancing them myself. When
 I was starting out, I was in deep collection mode, and kept a little
 notebook in my dance bag. I'd finish a dance, get my next partner, then
 scurry over to my notebook to jot down the dance we just did before I
 forgot it, then scurry back to the line before the music started. I often
 missed the walk-through, but I figured, if I can't dance without a
 walk-through, I have no business trying to be a caller. Then at home I'd
 transcribe the scribbles onto cards. I have no doubt that that process
 helped me as a new caller. I have often wondered if it's really a service
 to new callers when they ask to just take a picture of my card. The teacher
 in me wants to take the road of tough love and make them do the same work I
 did, but I usually let them just have it because they haven't asked for
 that level of mentorship.
 On Sun, Jan 12, 2025 at 5:01 PM Erik Hoffman via Contra Callers <
 contracallers(a)lists.sharedweight.net> wrote:
  From Louise Siddons:
 Also, specifically in terms of programming (which someone mentioned),
 there are aspects of calling where experience is a key element of the
 learning process. Shortcuts will be detrimental to the caller’s experience
 even if the dancers don’t notice.
 From me:
 This is much like late Larry Jennings’ decision to transcribe dances in
 his book, *Zesty Contras* and *Give-and-Take* with abbreviations and
 in a form that was not common in the time. His thinking was people using
 his books would have to think about the dance they were planning to call
 had to think about the dance as they re-transcribed it. I recall the
 challenge of putting dances down on a card (remember those?) (and I know
 people still use cards…) from *Zesty Contras* and doing just what
 Larry intended: thinking a dance through as I put it down in my
 re-abbreviated cards.
 Cheers,
 ~Erik Hoffman
         Oakland CA
 *From:* Louise Siddons via Contra Callers <
 contracallers(a)lists.sharedweight.net>
 *Sent:* Sunday, January 12, 2025 12:35 PM
 *To:* Shared Weight Contra Callers <
 contracallers(a)lists.sharedweight.net>
 *Subject:* [Callers] Re: Unifying contra dance formats with AI
 AI is resource-intensive and an environmental disaster. Using it for
 trivial purposes feels worse than pointless to me.
 Also, specifically in terms of programming (which someone mentioned),
 there are aspects of calling where experience is a key element of the
 learning process. Shortcuts will be detrimental to the caller’s experience
 even if the dancers don’t notice.
 In the spirit of slow food, might we not consider ‘slow folk dance’ as
 taking a positive, sustainable position in relation to the climate crisis?
 There is no actual need to make anything related to contra dancing more
 efficient.
 (I’m reminded of the joke that dancing is a very complicated way of
 going nowhere. Surely in some sense we embody the idea that the journey is
 the destination?)
 Louise.
 (Winchester, UK)
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