I agree with much of what you say, Tony. In response to your question, "Do
we really want to go down that road?", we have clearly already done that.
In reality, there are still many, relatively parallel contra dance roads,
some a little rougher than others.
We have not yet reached the point that square dancing has reached with just
a few roads, many of which are unpassable for many dancers. I'd also add
to your two requirements (enjoyable and in a safe space), a third one. that
is that our dances should also be welcoming to all, regardless of their
position in life, and dance skills. As callers, we all try to chose dances
and calls that are appropriate, and acceptable for the local dancers. That
should not change.
Rich hart.
On Mon, Jan 30, 2017 at 9:05 AM, Tony Parkes via Callers <
callers(a)lists.sharedweight.net> wrote:
Chet Gray wrote:
<<In regards to the present variety in role terminology, I may be fairly
alone in this opinion, but I hope we never intentionally arrive at a grand
consensus.
I love that different terms for roles have sprung up in different
communities, just as I love that so many wonderful terms have sprung up for
eye-turn/shoulder-turn/spiral. I love hearing "allemande", "hand
turn", and
"hand 'round" in different communities. I love that "dosado"
means
drastically different things in different long-lived community ("square")
dances. I love that some communities default to hands-across stars while
others default to wrist-hold stars. I love that there are at least three
different promenade positions, and each is default in different
communities. As much as my engineer brain would enjoy it, I hope we never
have a CALLERLAB to strictly define terminology and steps for contra
dances.>>
Amen!
One of the things I’ve long lamented about the modern square dance
movement is the disappearance of regional variations. If square dancing is
viewed as a hobby, it makes sense (given the mobility of people in
industrialized countries) to standardize the meaning of calls, hand and arm
positions, and other rules and customs. But if it’s viewed as a folk art,
it’s a crying shame to lose the variations. To me, standardizing a folk
dance form is like saying there’s only one right way to cook chicken.
(Given how far MSD has strayed away from tradition and toward
homogenization, it feels to me as if they’re saying KFC is the only right
way to cook chicken.)
The contra dance world has never had an entity like Callerlab with the
clout to convince local groups to standardize, and I don’t think it needs
one. Two of the big attractions of contra dancing (IMO) are its lack of
regimentation and the small number of terms a newcomer must learn. That
small number (again IMO) means that adjusting from one village to another
is not difficult: Typically only 3 or 4 terms out of 15 or 20 are
understood differently.
A big question in my mind is whether there’s anything approaching a
consensus among contra callers (and interested organizers and dancers) on
any points beyond the obvious: that dancing should be enjoyable and a dance
venue should be a safe space. I would strongly caution folks against
thinking there’s a consensus when only a small percentage of callers and
leaders has been heard from. I’m thinking here, not specifically about the
gender-free vs. gendered issue or which gender-free terms to adopt, but
about the big picture – which includes those issues, but also includes
standardization vs. local styles, “gypsy” vs. a new term (and again, which
one to adopt), and which, if any, of the many new movements to expect
dancers to memorize. This last issue is much on my mind, as the contra
vocabulary has more than tripled since I started dancing. Do we really want
to go down that road?
Getting back to the issue of gender-free terms (though I’ve changed the
subject line to allow more general discussion), I hope that here, as
elsewhere, we can feel free to experiment and not feel constrained by what
other people and groups are doing.
Tony Parkes
Billerica, Mass.
www.hands4.com
New book: Square Dance Calling (ready Summer 2017)
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