Hi All,
Great topic. I've been calling for almost two years with a mix of
family dances and small contra dances. I've viewed these venues as a
forgiving place to learn and practice, and I am grateful for them. I
also help to organize a dance that is mid-sized with a mix of
experienced and new dancers that runs once a month. In a good month
we get 100 there; in smaller months 65.
My "glass ceiling" was calling the dance that I organize. For many of
the issues that Greg described, our organizing committee wants to
keep the dance lively with consistent performers. However, we are
also open to up and coming performers and decided that we would pair
new bands with experienced callers and visa versa as a way to
encourage and develop new talent. Our summer months are typically
smaller dances, so this is a time when our booker feels more freedom
to book a range of performers. This summer I've felt that I've been
ready to call a whole night where there are more experienced dancers,
and therefore at our dance. To get there, I had to meet the
expectations of the committee that I was ready. I struggled a bit
with this. I felt concern that I would take advantage of my position
on the committee to get on stage.
My "big break" came two weeks ago when our caller for the August
dance cancelled with relatively short notice. Our outreach to other
callers failed to come up with anyone who was available and so I got
to call the night. As a caller, it was really a new experience to
plan for and call a whole night of dances for these dancers. As Tina
described, I was able to call dances that were more challenging to
call and dance. Nothing too wowing, but for me, they were a stretch
beyond what I'd been able to do elsewhere. It was really fun and all
went well.
I've talked with local musicians who felt this same sort of barrier
to getting on stage at another big local dance. They felt that they
were put to a higher standard by the bookers just because they were
familiar and untested and young performers. I think what Tina is
describing isn't atypical.
Tina, if you are willing to travel, we'll book you at our dance!
Maybe a strategy is to get on the road and call at bigger dances
outside of your region. On the strength of that experience, you
could reasonably the local organizers to give you a shot.
My two cents,
Nancy Turner
Vermont