I have polkaed to the Hamster Dance tune. It's *brutal*.
-- Alan
On 11/27/2012 1:59 PM, Richard Mckeever wrote:
A few Decembers ago the band surprised us with a
holiday tune by
playing the Chipmunk Song for the final waltz - everyone knew many of
the words and sung along - it was fun!
Mac
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*From:* Alan Winston <winston(a)slac.stanford.edu>
*To:* callers(a)sharedweight.net
*Sent:* Tuesday, November 27, 2012 3:40 PM
*Subject:* Re: [Callers] Sung fiddle tunes?
Waltz songs I've enjoyed dancing to when sung:
- Log Riders Waltz
- Tennessee Waltz
- Star of the County Down
- After the Ball (although the lyrics are really a downer)
- Take Me Out to the Ballgame
- Home, Sweet Home
- I Could Have Danced All Night
(And "Shall We Dance" is a fun polka, for that matter.)
I've also experienced a wonderful band with a fabulous vocalist who
can concertize on her own, but whose sung waltzes are often
unsatisfying to me *as waltzes* because they're at the tempo which
allows for full emotional expression of the song and that's too slow
for good rotary waltz.
In contra dancing I've enjoyed "mouth music" breaks on fast Irish
tunes but haven't tried to dance to anyone singing lyrics.
English dance has a rich history of dances set to ballad tunes and
we've had balls where that was a theme.
Unlike singing squares, I've more generally encountered bands that sing.
The main thing to remember, I should think, is that you're serving
the dance experience. Keeping the set from breaking down is more
important than finishing the lyric. Also, this should be spice, not
meat and potatoes.
Experiment slowly; do it on simple dances; use your judgment. For
getting your feet wet I would say that you
might run a simple dance with instruments + calling 2/3 of the way
through, then sing at a point where you could
expect to drop out from calling - and then end the dance if it looks
like there's a problem.
I'd also say: rehearse, use a metronome, record yourself, make sure
you can sing satisfactorily at dance tempo.
Make sure your ego is okay with dancers essentially ignoring your
singing; they're there to to dance with each other, not to to listen
to you. [You can get much more responsiveness to singing behind
couple dances, I think.]
And as for the less-experienced group of dancers: If you have any
doubt about how it will work, you shouldn't do it.
-- Alan
On 11/27/2012 12:14 PM, Maia McCormick wrote:
I've been talking with my band lately about
coming up with some contra
tunes that I/they/we can sing.
a) suggestions for tunes? (Contra and waltz alike.)
b) when do you usually stop calling and start singing? What do you do if
the dance gets off track and you need to throw in some more calls?
c) other relevant things to consider when the band/caller tries to
sing for
a less experienced group of dancers?
Thanks!
Maia
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