Unlike most modern Petronella-style dances, Petronella calls for a twirl into place and
then a balance in a diamond, rather than a balance followed by a twirl in a group of four
dancers oriented square to the set. In the old version of Petronella that I enjoy, the
active couple begins, and the gent has to twirl a greater distance down the set before
hands are joined for the balance, a movement and a momentum that encourages a
right-to-left balance to get reoriented. At the end of the twirl-and-balance sequence, the
inactive couple has to get out of the way so that the active couple may proceed down the
hall, and again the physics of a right-and-left movement helps them as they exit from the
path of the active couple. The minor sets of modern Petronella-style dances are square to
the larger sets, are more stable, require less energy and creativity for couples to get
into and out of them, and thus permit, or even encourage, balancing forward-and-back. …
Bob
On Nov 24, 2012, at 12:43 PM, Chrissy Fowler <ktaadn_me(a)hotmail.com> wrote:
Thinking of petronella and ring balances, curious about historical changes.
Seems most people most of the time balance the ring toward the center and back. Was it
formerly more of a balance right then left?
Was thinking about the physics of it all and where the momentum is... Curious re
recollections/insights.
Chrissy
Belfast
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