I don't have Bob's list handy, but I
cribbed heavily from it to make this
(much less extensive) list of figures + timings
<https://contra.maiamccormick.com/assets/pdfs/esc-choreo-figures.pdf>,
in case it's useful to anyone!
(This reminds me of some more things I don't like, ha. Circle L and pass
through to swing -- IME the swing always gets truncated. Dosido 1.5x and
right shoulder round 1.5x don't quiiite fit in 8 counts of music and are
often frustrating. And I don't call couples' dosidos anymore, they're a
pain to execute correctly unless everyone in the hall is EXTREMELY on top
of it.)
--
Maia McCormick (she/her)
917.279.8194
On Tue, Aug 6, 2024 at 12:02 AM Joe Harrington <contradancerjoe(a)gmail.com>
wrote:
Is Bob Isaacs in the house? He has a giant
spreadsheet with every
possible move transition and a count of the number of times it occurs in a
set of dances that now numbers in the hundreds or maybe a lot more. It’s
interesting which unlikely combinations do occur and which rarely do. I
hope this someday sees the light of day.
—jh—
On Mon, Aug 5, 2024 at 11:29 PM Maia McCormick via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
Jeff, impressively bad, well done!
My biggest pet peeve is a RH chain (or promenade, or other move with a
CCW courtesy turn) into a circle L—though this is a very of-the-moment
style preference, as I know plenty of the classic dances have this combo.
(Likewise for dances where just the 1s do a figure while the 2s stand
around, doubly so if the dance doesn’t alternate active couples.)
Long lines followed by a chain is quite idiomatic—and probably in part
because of the strength that idiom, a chain (or other courtesy turn figure)
followed by long lines drives me up a wall.
I don’t love long lines into a circle—I’ll tolerate it if the rest of
the dance is really exceptional, ehhhh.
--
Maia McCormick (she/her)
917.279.8194
On Mon, Aug 5, 2024 at 10:31 PM Jeff Kaufman via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
> Balance neighbor (4), swing partner (12)
>
> Ones dosido below while twos seesaw above (8).
>
> Long lines forward (4), swing on the side (8), long lines back (4).
>
> Circle left 1x (6) pass through (2)
>
> Jeff
>
> On Mon, Aug 5, 2024 at 9:51 PM Tepfer, Seth via Contra Callers <
> contracallers(a)lists.sharedweight.net> wrote:
>
>>
>> - A right chain INTO a swing
>> - A swing into a circle right
>> - Standard right shoulder hey into a swing
>>
>>
>> Plenty other bad flow examples
>>
>>
>> Seth Tepfer, MBA, CSM, PMP (he, him, his)
>> Senior IT Manager, Emory Primate Center
>>
>>
<https://outlook.office.com/bookwithme/user/fcd3f5d71da848759228584d1a49babd@emory.edu?anonymous&ep=signature>
Book
>> time to meet with me
>>
<https://outlook.office365.com/owa/calendar/SethTepfer@mscloud.emory.net/bookings/>
>> ------------------------------
>> *From:* Jonathan Sivier via Contra Callers <
>> contracallers(a)lists.sharedweight.net>
>> *Sent:* Monday, August 5, 2024 9:48 PM
>> *To:* New Contra Callers List <contracallers(a)lists.sharedweight.net>
>> *Subject:* [External] [Callers] Re: Choreographic No-Nos
>>
>> I don't agree with your list. Yes, swings on the first half of a
>> phrase are challenging and I might try to avoid them. There are dances
>> with this that generally work fine, especially if the caller is aware of
>> the potential issue and teaches and calls accordingly. The do-si-do across
>> can be a bit awkward in a crowded line, but only if everyone is doing the
>> do-si-do. If only the 1's or 2's are doing it then there is no problem.
>> Shadow swings seem to be a personal preference or dislike and not really a
>> choreographic issue. I actually think that a right chain after a swing can
>> work very well. If you end the swing with the pointy hands pointing across
>> then the right hands of the right hand dancers are right there ready to
>> pull by. I suppose you might say there is a momentum change, but that can
>> be very welcome in a dance where everything seems to be traveling the same
>> way. Not every dance has to have continuous motion in the same direction
>> all the time. I danced a dance with that set of figures just last Friday
>> and I was thinking to myself how well it seemed to work.
>>
>> So I see #1 and #3 as more of a challenge than a problem. #4 is a
>> personal preference and #2 seems like a perfectly fine transition between
>> figures.
>>
>> Jonathan
>>
>> On 8/5/2024 7:37 PM, Michael Fuerst via Contra Callers wrote:
>> > I am accumulating a list of figures, or figure sequence that
>> significant dance writers (not necessarily a majority) consider
>> Choreographic No-Nos
>> > My list so far:
>> > 1. do-si-do across
>> > 2. right chain after a swing
>> > 3 short swings on an odd phrase
>> > 4. Shadow swings
>> > Does anyone have further suggestions?
>>
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