On Fri, Jan 04, 2013, Maia McCormick wrote:
To speak a bit more to the question of whether terms (gender-neutral or
not) should make reference to "leader" and "follower," and whether
this is
a dynamic that a) does and b) should exist in contradance--
The lead/follow dynamic exists different amounts for various people, and
can change depending on night, partner, set, etc. It is rather fluid--most
good follows lead sometimes as well, for instance, to guide their lead into
an allemande or something. This is also, as far as I know, the case with
other dance forms as well. I don't have an awful lot of experience, but I
know that in waltz, for instance, if the gent is about to run into someone,
the lady gives a little extra pressure to redirect him and avert the crash.
So yes, to a large extent, contra is certainly an equal-opportunity dance.
But so are most partner dances. The amount of equality, the fact that
sometimes the follow performs a lead-like function, the fact that one may
back-lead (and easily!) does not diminish the existence of a lead/follow
dynamic in certain parts of the dance, if executed by two capable dancers.
I'm with Alan. In waltz, there's a formally designated leader role, it
feels entirely different from following. And both feel entirely
different from the way lead/follow behavior gets dynamically and
implicitly negotiated in contra, to the point that I think using "leader"
and "follower" as contra terms is way more confusing than edifying.
Side note: I have an online acquaintance, a woman, who wanted to learn
waltz leading (late 1990s, SF peninsula, Starlite Ballroom for those of
you familiar with the area). She advertised on a Usenet group for
someone willing to take a class with her as a follower. I volunteered.
Couple of interesting bits:
* People were unwilling to swap partners around with us the way the rest
of the students did
* I got more attention (all positive or neutral, at least to my hearing)
about wearing a skirt than following per se
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