Another way to put energy into a dance is to do more bouncing/stepping
and more movement - that is how many English ceilidh dancers use their
energy.
Here is a contra based on the old dance "Cumberland Square Eight":
Cumberland Contra (by John Sweeney)
Contra; Improper; Double Progression - 64 bars
A1: #1s Gallop Down & Back
A2: #2s Gallop Up & Back
B1: Basket - open out into a circle
B2: Circle Left; Circle Right - use the circles to reorientate the set -
optionally use slip circles to use up more energy
C1: Neighbour Dosido;
Two Changes of a Grand R&L around the WHOLE set: Neighbour Pull By
Right; New Neighbour Pull By Left - This is the Double Progression -
Pull By your Partner at the ends - no-one is ever out - Keep moving
forwards to make the Star
C2: With Next New Neighbours: Star Right; Star Left - skip it round to
use more energy
D1: This Neighbour Balance & Swing
D2: Long Lines Go Forward & Back - Men Roll the Ladies Away with a Half
Sashay from Right to Left
#1s Swing - finish facing down in Ballroom Hold ready to Gallop
No room at the end of the set for the gallop? Turn left and go round the
edge of the room (Lady on the outside).
To gallop back just turn your heads - don't mess around with arm/body
positions.
Optional Styling: Balance & Swing: Step R, Kick L (hopping on R), Step
L, Kick R (Hopping on L), Swing
Basket: Get close together; the men put their arms around the ladies'
waists and one grips the other's wrists; the ladies put their arms on
the nearest shoulders (get them to put them straight up in the air then
lower them onto the shoulder when teaching). Put your right foot in and
everyone does a buzz-step to spin the basket. Baskets only ever go
clockwise.
Please let me know if you try it. Thanks.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362
http://www.contrafusion.co.uk for Dancing in Kent