Thanks for this thread. I'm always on the lookout for new community
dances. This is one of my favorites that I learned from Susan Michaels at
a square dance caller's workshop. It's a variation of the Boston Tea Party
so I call it Susan's Tea Party.
*Susan’s Tea Party*
Susan Michaels
Type: Longways
Formation: Duple-Improper
Level: Beginner-Easy
Music: Doesn't need to be square
A part
Down the road part: Everyone sashays down the set with partner, drops to
the bottom until top couple is back to the top.
B part
Toaster time: Top couple forms an arch to go over the left hand line,
switches hands at the bottom and toasters back up the right hand line
C part
Peel the banana: top couple casts off to the bottom Follow the leader,
top couple forms an arch at the bottom everyone else ducks under the arch
reforms lines and there is a new top couple.
Notes: If lines are really long do a double toaster with top two couples
each going over one of the lines trading at the bottom and coming back up.
and
Double Peel the banana with a 4 person arch at the bottom.
On Mon, Oct 9, 2023 at 2:39 PM Erik Hoffman via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
I’d love to collect a few more whole set dances for
one night stands.
I have done my version of the Virginia Reel, of course. Some Running Set
figures (though not in a big circle, but, “find another couple and circle
left), Sasha, the Broom Dance and/or the Fan Dance, Blobs, and possibly
teach Jefferson & Liberty, or a slightly simplified version of Haste to the
Wedding and the first “Hands Four” dance. So, I’ve been collecting the
Simple Contra Dances, and adding them to my repertoire with thanks to all
sharing them! I am looking for Whole Set Dances.
Here’s one from me:
*Building a Tunnel*
I put some figures together after looking at dancing in Douglastown,
Quebec, that I found from Laura Risk’s wonderful collection of music and
notes she coproduced with Brian Morris, the *Douglastown* cd (
https://www.laurarisk.com/recordings.html). I call this Building a
Tunnel. Then I stole part of what I think is The Flying Scottsman (which I
learned from the wonderful Sandy Bradley) or is it Kingston Flyer as Tony
Parkes mentioned.
Building a Tunnel
Longways set a Whole Set dance
Not too phrased to the music
In long lines, Head Person of Line One leads their line all the way around
Line Two
Then Head of Line Two leads line around Line One
All Partner Do Si Do, Swing (any way: elbow, 2-hand, ballroom)
Top Couple arch over one line to the bottom—Mow The Lawn…
Top Couple arch over the other line back to the top—Cut Their Hair…
Top Couple Sashay to Bottom, Make an Arch
The two lines face down, go down and around the Top (soon to be Bottom)
Couple
Through the arch, and, as the line goes under, make an Arch when couples
go through the last arch (made by the couple they’ve been following).
In other words, Building a Tunnel.
When teaching the Top Couple to make an arch I teach taking one hand as
they face the line. By the second or third time, couple start doing the
arch with two hands, thus, I don’t know why I bother…
Like other dances as the Virginia Reel, sets can easily get out of sync.
If they do, I watch and stop calling except to remind un-sync-ed if they
forgot something.
So many times when teaching the Virginia Reel, dancers want to do the
“build a tunnel” and I (and most likely most of you) have to teach
promenading up and not passing anyone. Now they get to build it!
*Thinking of making the first Hands Four dance Easier*
For years I’ve called the dance at the Full Belly Farm’s “Hoes Down” where
they put their hoes down and dance. I’ve used Jefferson & Liberty, but, in
sets on an empty field where sets can easily get 20-couples long or longer,
and not wanting to take even more time bi and trifurcating sets into
shorter sets. I think I presented Barbarella earlier, and it got me
thinking: would it be easier to teach a phrased progressive dance in Becket
Formation ending by sliding left to a new couple? So, I’m going to try a
couple of ideas at my next One Night Stand:
Start getting lines in becket formation. My first thought is to star with
Long Lines going forward and back, to reinforce that we are dancing with
everyone, but I can also starting by teaching a slice and then putting that
slice as B2.
That said, these just thinking right now:
My First Try:
A1 LLF&B; Neighbor across Do Si Do
A2 Partner Do Si Do, Swing (any way)
B1 Face Down for Line of Four Down the Hall, Turn as a Couple (or, uh,
not), Return
B2 Circle Left, Circle Right, Slide Right to next couple to A1 LLF&B
Or
A1 w/ Couple Across: Circle Left, then Right
A2 w/ Neighbor Across: DSD, Two Hand Turn
B1 Back on Own Side: Ptnr DSD, Two Hand Turn (or Swing any kind)
B2 Looking to the Left: Long Lines go Forward to a New Couple, then
Straight Back, to A1 with New Nbr
I think these might be easier to explain to complete novices. Any thoughts?
~Erik Hoffman
Oakland, CA
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