I think thumb pressure, even finger “pressure” has to be avoided and it’s avoidance taught
thoroughly no matter the hold. I once had nerve pain for weeks after a cupped elbow hold
in which that nerve going into the front inside of the elbow was deeply squashed by a
zealously gripping digit, I think thumb. The non universality and also the too close to
my bust fingers (both asthe hand enters and if any jostling occurs) make me dislike that
cupped elbow hold very much, totally besides that nerve pinch I had. The forearm is
taught explicitly as not a grip and I think it works fine for every turn I’ve attempted.
Rory o mores and box circulates, not being turns, would be taught using a W arm, fingertip
connection or however we want to cast that.
I too want to hear how the flat palm to palm could even work and how it is motivated.
Also, while we have extolled the virtues of forearm and elbow cup, or even the old hold, I
haven’t heard anyone deny how often it fails, with wrists twisted and shoulders and elbows
straining, fingers squished, tender parts of hands hurt, and/or weight utterly missing or
arm wrestle level. Above all I’m waiting for someone to say they have a way to teach it
that truly prevents these many evils. I can’t get behind it whole heartedly, however
theoretically universal, until we have that.
Andrea
Sent from my iPhone
On May 21, 2019, at 7:46 AM, John Sweeney via Callers
<callers(a)lists.sharedweight.net> wrote:
The Cupped-Elbow Forearm Hold is NOT suitable for all moves!
Waves are unquestionably much better with the standard contra Elbows-Down Palm-to-Palm
hand holds. As are Swing Thrus. As Callerlab says, “All hands are joined in hands-up
position, elbows in close. Exert slight pressure to assist opposite dancer in turning.
Arcing turns should be utilized rather than pull by type of movements and should flow
effortlessly from one turn to the other so that you are in a sense, "weaving"
along the line.” (Sadly very few of the MWSD dancers that I have danced with seem to have
understood this; they do lousy Waves with hand-holds at waist level and Grand Right &
Left instead of Swing Thru!)
I don’t find dis-engagement to be an issue with a Cupped-Elbow Forearm Hold in the moves
that I use it for. But it certainly doesn’t give the ability to spin out of it. The
standard contra Allemande is much better if you want to spin out of Allemande Left 1.5 or
Contra Corners. If only we could find a way to get people to do it better…
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 & 07802 940 574
http://contrafusion.co.uk/KentCeilidhs.html for Live Music Ceilidhs
http://www.contrafusion.co.uk for Dancing in Kent
http://www.modernjive.com for Modern Jive DVDs
From: Folk Dance <ceilidh.caller.bob(a)gmail.com>
Sent: 21 May 2019 12:12
To: John Sweeney <john(a)modernjive.com>
Cc: Caller's discussion list <callers(a)sharedweight.net>
Subject: Re: [Callers] Hand Turns & Safety
I agree with John's concerns over gripping in the forearm hold, and the increased
security of the elbow cup - provided dancers are reminded that thumbs do not belong in the
soft, vulnerable inside of elbows!
However, I think the full elbow cup grip gives up a certain freedom of disengagement and
if we tried to use it universally would result in some awkward transitions - balance the
wave to swing through for instance would be clunky with an elbow cup. A well taught
hooked or flat hand (properly vertical and balanced!) hand allemande would be my
preference.
I'm not sure I'm clear on the "flat" grip issues - could someone give
me a clear definition of what they consider to be this problematic option?
Bob
On Tue, May 21, 2019 at 10:19 AM John Sweeney via Callers
<callers(a)lists.sharedweight.net> wrote:
Hmm… I seem to have stirred up a hornet’s nest! It is great to see discussion on this
important topic.
There are two very different forearm holds.
*** In front of the elbow ***:
This is the MWSD version. Callerlab defines it as:
“Forearm: The arms are held past the wrist but not past the elbow joint. Each dancer
places the hand on the inside of the arm of the person with whom he is to work. The
fingers and thumb are held in close. The center of the turn will be at the joined arms,
so, while turning, each dancer is moving equally around the other.”
I think this is what Andrea is describing (my apologies if I am wrong).
I don’t like this one. Sorry.
The connection is not as good as it could be.
Good connection can often only be achieved by gripping the other person’s arm.
It provides the opportunity to grip hard.
I often find that, due to different arm lengths, the gap between by thumb and index
finger is pressed against the inside of the other person’s upper arm. This can be
uncomfortable.
The one I do like is:
*** Behind the elbow ***:
Put your thumb beside your fingers. Curve your hand. Place your forearms together. Place
your curved hand behind your partner’s forearm, just above the elbow. Get close enough so
that your upper arm is vertical.
This is a great connection.
There is no need to grip.
You are close together so that you can turn really well.
It is very effective for 1.5 turns.
Thumbs are not involved so the chance of gripping is greatly reduced.
It can be achieved instantaneously.
There is little opportunity to mess it up.
You can see it being used in this video:
https://www.youtube.com/watch?v=Q_wncJcFPVo
There is a good example 5 seconds in - look at the second couple on the right (two ladies
- one in grey).
We use this hold for all sorts of dances in the UK. It is great for Strip the Willow and
Lock Chain Swings (i.e. Grand Right and Left where you don’t pull by, instead you turn 1.5
times with each dancer).
I would thoroughly recommend this as an alternative Allemande style.
Try them and see what you think.
(P.S. The really sad thing about that video Is the swings. If only the caller had told
them to take the same forearm hold and join left hands underneath, then they could have
had so much more fun swinging!)
(P.P.S. I love this dance. Nottingham Swing. I spent my first 50 years in Nottingham,
so I have been dancing this dance for nearly 50 years now and I still love it.)
(P.P.P.S. The dance is actually from Northamptonshire - 50 mile south.)
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 & 07802 940 574
http://contrafusion.co.uk/KentCeilidhs.html for Live Music Ceilidhs
http://www.contrafusion.co.uk for Dancing in Kent
http://www.modernjive.com for Modern Jive DVDs
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