Greg's negative feelings about mixers are
based on them being used as a
form of social engineering, to get folks to partner up with people with
whom
they wouldn't normally.
Thank you David for stating this idea so clearly. You are, once again,
treading very close to the real question: What is a dance caller and what do
they do?
My negative comments about mixers were directed only at their use as a ploy
for integrating the hall. I am not adverse to mixers in general. The key
concept is keeping the dancers informed about what is coming so that they
*can
*act responsibly and prepare in advance. It is the tactic of "springing" a
mixer on dancers unannounced that dis-empowers them.
If I were opposed to "social engineering" I would never advocate that anyone
become a dance caller. I know of no other human endeavor that better
qualifies as "social engineering" than dance calling--and contra dance
calling in particular. Social engineering is at the heart of what a contra
dance caller does. I think we should strive to improve our social
engineering and I would like to see callers focus more on their role as
social engineers. The tactic of "springing" a mixer on the dancers is,
simply, *poor *social engineering because it discourages dancers from being
proactive in partnering with newcomers.
I am enjoying this discussion and I would be interested in what other
callers on this list think of being called "social engineers."
- Greg McKenzie
2011/10/8 David Millstone <David.Millstone(a)valley.net>
Greg wrote: "Mixers are often used to force
integration of the dance
hall."
I'm glad that he included the "often" qualifier, thereby leaving open the
possibility that not every caller who chooses a mixer is condemned to the
9th circle of hell.
Following the lead of my mentor, Ted Sannella, I include a mixer at nearly
all of my home dances, typically the third dance of the evening. That was
Ted's custom, and Tony Parkes, another great caller, once explained that
the
third dance is late enough to catch the late arrivals but early enough to
help set the stage for the evening.
I love mixers, as a dancer. It's an opportunity to see who's in the hall.
It's a chance to dance, briefly, with folks I don't know. Oh, here's a
face
I don't recognize, but based on her swing, it's clear that she's a dancer
who's been on the floor for some time... Aha, this is someone brand new,
good smile but unsteady on her feet, good person to ask for a dance...
yippee! she's here tonight! gotta make sure to get her for a partner if
there's a square caller since I remember that she loves squares... and so
on.
And as a caller, I love calling them, to provide all of those
opportunities, and for other reasons. I don't run most mixers for very
long,
perhaps 8-10 times, depending on the dance. That means that I'm adding one
more dance into the mix, inthe course of which everyone is getting that
many
opportunities to dance with a different partner. Mixers also come in many
shapes: big circle, Sicilian circle, scatter promenades, three person
lines,
and so on. That also allows me to vary the look and feel of the floor so
that it's not all contra contra contra, and since the dance floor is part
of
life, I do believe that variety adds spice.
David Millstone
Lebanon, NH
P.S. An interesting cultural sidenote: Greg's negative feelings about
mixers are based on them being used as a form of social engineering, to
get
folks to partner up with people with whom they wouldn't normally. I've had
the opportunity to call often in Denmark and in the Czech Republic, and
there you can end a mixer and ask people to take that partner to line up
for
the next dance and that's okay, an accepted part of what people will
cheerfully do. In Prague, for example, they usually dance squares without
break figures, in part to language issues-- a steady stream of unexpected
calls in a foreign language can be daunting But they'll run a
partner-changing square five or more times, and at the end they'll take
that
final partner for the next dance. It's simply not a big issue. They're
there
to have fun, and it's not as important as it seems to be with hard-core
contra dancers in the US that they have The Right Partner for a swing.
It's
a refreshing laid-back alternative to what sometimes is an overly-intense
partnered scene at our dances in the US.
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