Before we get into an acrimonious retread of past discussions, I wanted to
flag that "is a lead-follow dynamic a central part of modern contra dance"
is something there's a lot of disagreement on, going back decades.  I think
getting into it here would be a distraction from the good discussion we're
having on the best word choices for these kinds of moves.
Jeff
On Thu, Sep 4, 2025 at 11:59 AM Colin Hume via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
  On Wed, 3 Sep 2025 16:00:27 -0400, Joe Harrington via
Contra Callers wrote:
  Some of our dance moves come from lead-follow
dances, where the dancers 
 act asymmetrically. One opens the opportunity
  to do a move, the other decides whether, how, and
when to respond.  Ask 
 any good swing, salsa, or ballroom dancer
  whether follows have equal agency! 
 But traditionally Contra has never been a lead-follow dance - and nor has
 English, from which Contra is derived.
 Who is the leader in a ladies' chain?  Or when the ladies start a hey for
 four.  It's true for couple dancing, and if
 you import moves from that you import lead-follow at the same time, but
 it's not an intrinsic part of Contra.
 In a roll away, both partners are active - I would say the woman is more
 active because she does most of the work.
 The man isn't initiating a flourish - it's part of the figure of the dance.
 Colin
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